Tonight in New York City, two artists who need little introduction—Bill Plympton and Peter de Sève—will discuss their work and artistic process in a discussion moderated by animation director J. J. Sedelmaier.
Not many people know this, but every night at 3:33AM time is frozen for a moment. During what is a fraction of second to mortal eyes, there is a second night, a secret one where the spirits of the city come out to play. That is the story of the eternal battle for the soul of São Paulo, the clash between bohemia and authoritarianism, between comedy and horror.
The animated feature “JOYFLUID” opens in a limited number of IMAX 3D theaters in Mexico this Friday. The Mexio City-produced motion capture animated film was directed by Alejandro Rodriguez Huerta and made by the Rodriguez Brothers Animation Group.
A short animated collection of memories from a Turkish refugee in New Zealand.
Last weekend at the U.S. box office, two films with strong animation ties opened in very different fashions. Disney’s “Maleficent,” a dark fantasy reimagining of the 1959 animated feature from the perspective of the villain, launched with $69.4 million.
Pixar’s “Finding Nemo” told of a touching bond between a clownfish father and son. But according to this fascinating excerpt from Stephen R. Palumbi and Anthony R. Palumbi’s new book “The Extreme Life of the Sea”, “Finding Nemo” director Andrew Stanton bypassed the most intriguing trait of clownfish, which is that they can change their sex. Had Pixar stayed true to clownfish biology, they would have ended up with a quite different story.
Here’s our first look at href=”http://cartoonsaloon.ie”>Cartoon Saloon’s highly anticipated hand-drawn pic “Song of the Sea,” which will be released in the US this fall by GKIDS.
Animation and visual effects studio Sony Pictures Imageworks has confirmed what many in the industry had suspected for a long while: the studio is moving its headquarters from Los Angeles to Vancouver, Canada to take advantage of generous tax credits provided by the Canadian government. This move, combined with Digital Domain’s jump to Vancouver and Rhythm & Hues’ bankruptcy, prompted “Variety'”s VFX chronicler David S. Cohen to say that the Los Angeles feature film visual effects industry is “in full collapse.”
The first trailer is out today for “The Book of Life” directed by Jorge Gutierrez (“El Tigre”) and produced by Reel FX.
Drafthouse Films released the final U.S. trailer today for The Congress, the 2013 live-action/animation hybrid directed by Ari Folman …
This Sunday at the BFI Southbank in London, the British Film Institute, in association with the Academy of Motion Picture Arts & Sciences, will present the UK/European premiere of the reconstructed work print of Richard Williams’ “The Thief and the Cobbler.” Williams will discuss the film afterward with film critic David Robinson.
West Coast residents are in luck: if you can’t make it to an international film festival, the festival is coming to you.
Every time you want to stop writing about “Frozen,” it breaks another record. This weekend, the Disney smash hit remained in first place at the Japanese box office for an incomprehensible eleventh weekend in a row.
Using a unique animation technique involving traditonal animation cels and his iPhone 5s, Hombre_mcsteez turns everyday life into an odd creature infested cartoon universe.
A lighthearted essay on contextualized characters. Reconstruction follows deconstruction.
A look at animation history via Cartoon Brew’s archives.
It was bound to happen: Chronicle Books appears to have reached ‘peak art-of book’ with the upcoming publication of “The Art of Planes.” It’s no longer possible for anyone to collect every ‘art of’ book published, and frankly, with titles like this, why would any discerning artist want to?
The producer of this year’s most intriguing and visually eclectic animated feature may well end up being the Mexican/Arabic actress Salma Hayek, who screened a work-in-progress version of her pet project, “The Prophet,” last week in Cannes.
As long as I’ve loved animation, I’ve been fascinated with the personal stories of people who work in the animation business. Not simply, “What character did you make?,” but WHY and HOW did you make it? I became actively involved in documenting those stories when I published the print ‘zine “Animation Blast,” and it’s something I’ve never stopped doing. For me, it wasn’t just about talking to a handful of familiar directors and animators, but to talk with everyone, especially those who had worked quietly in the trenches and whose stories hadn’t yet been told.
Here’s the teaser for the Marvel-derived “Big Hero 6,” Disney’s next animated feature which will be out in November.