Calling All Aspiring Animation Directors: This Course Lets You Study In Cuba For Nine Weeks
Three renowned animation filmmakers are teaching the program: Paul Bush, Ruth Lingford, and Gerd Gockell.
Three renowned animation filmmakers are teaching the program: Paul Bush, Ruth Lingford, and Gerd Gockell.
Are you looking to get some animation done in your hotel room? Finesse your script on the beach? Storyboard at Starbucks? L.A.-based artist Toniko Pantoja gives some tips on what tech you’ll need.
Disney veteran Marlon West explores one of the studio’s most enduring effects, and its influence on character animation.
The Virtual Production Field Guide provides an overview of “one of the biggest technology disruptors of the visual medium.”
The veteran voice actor reviews fans’ impressions of his characters, explaining his own methods in the process.
In a pair of video tutorials, veteran animator Jean-Denis Haas gives his views on what makes a killer animation reel.
A new initiative from South Africa’s Triggerfish aims to help young animators learn about the animation industry.
Why is the animation in “Paddington” so convincing? Animator Oswald Iten breaks down the film’s techniques.
How can young directors work most effectively with studio executives?
Launched last fall, the L.A. organization has grown to nearly 500 members.
The creator of “Courage the Cowardly Dog” is sharing insights into the creative process of his new independent film.
This half-hour breakdown helps to explain what sets apart the performances in “Spider-Verse” from other animated films.
A leading industry pro wants to teach animation to the masses through a new 2d animation course.
Hanazuki started out as a personal idea before becoming an international character brand.
Bidding and budgeting in vfx is a “dark art” to some – but it doesn’t have to be.
The concluding part of Cartoon Brew’s series on how to pitch animation projects.
Watch a deep dive into the mechanics of the animation in Rockstar’s blockbuster video game.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Everyone knows that having a solid animation reel is essential for landing that dream job, but what are employers actually looking for when they review a reel?
In part 3 of our exclusive series about how to pitch and sell an animated series, we offer tips for building trust with your audience.