An Iranian Filmmaker Made A CGI Feature About Destroying The U.S. Military
The director of “Battle of the Gulf” says that the film is “an answer to [American] propaganda.”
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The director of “Battle of the Gulf” says that the film is “an answer to [American] propaganda.”
“Anomalisa” maker Starburns Industries moves forward with “Bubbles,” a story told from the point of view of Michael Jackson’s famous chimp companion.
European animation producers are putting forward a new vision for family-oriented animated features. Here’s some exciting upcoming projects.
Nathan Jurevicius’ character brand Scarygirl is turning into a cg feature.
‘Kubo and the Two Strings’ beat three Disney animated features for the BAFTA feature animation prize.
Illumination doesn’t publish ‘art of’ books for its films, but you can still get a behind-the-scenes look at how their films are designed.
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
The sequel to “The Lego Movie” has a new director.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Despite losing five of its six nominations, “Kubo” still managed to do something no other non-Disney film has done in the last five years.
Watch a clip from “Have A Nice Day,” a black comedy from China that will debut at the Berlinale.
Alberto Vázquez made history tonight at the Goya Awards, winning both the animated feature and short film prizes.
The exciting world of European feature animation will be on display next month at Cartoon Movie in Bordeaux, France.
This year’s Oscar-nominated vfx supervisors name their toughest shots—and they’re not all what you might think.
The producers of “Animal Crackers” blame the film’s delayed release on “slimy” and “bad” Hollywood people.
Disney’s live-action/cg remake of “Beauty and the Beast” is forty minutes longer than the original.
The Producers Guild of America likes Disney Company animated films—A LOT.
What do you think?
These four films are Oscar-worthy, but will the Academy recognize them tomorrow?
Chinese filmmakers have an everything-and-the-kitchen-sink mentality when it comes to vfx, not that that’s a bad thing.