Super Bowl Ads Tease A Big Year Ahead For Animated Movies
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
After taking time to finish her graphic novel ‘Raise the Bar,’ formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Mattel and Hasbro unveil expansive toy lines tied to Netflix and Sony’s animated hit in a merchandise push that arrived long after the film broke out.
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.
Second-half 2025 data shows which original films broke through, which struggled, and what the results may signal for Netflix’s animation strategy.
Fathom Entertainment, behind lucrative ‘Coraline’ and ‘ParaNorman’ re-releases, will handle U.S. distribution, with FilmNation selling internationally.
One of anime’s most influential and grounded mecha-based franchises, ‘Patlabor’ will get three theatrically released features over the next year and a half.
Ugo Bienvenu’s sci-fi debut took top animated honors at this year’s awards, strengthening its awards season credentials with Oscar nominations coming this week.
Passing ‘Inside Out 2,’ ‘Zootopia 2’ trails only ‘Ne Zha 2’ among animated films, and is the ninth-highest-grossing movie ever released, animated or otherwise.
Akimoto breaks down his and Studio 4ºC”s approach to movement, texture, and visual expression in a CG-driven take on the sci-fi classic.
The upcoming documentary examines the artists, politics, and risks behind the studio that broke away from Disney’s industry-dominant realism.
There’s 104 days of summer vacation, and now kids will have a new way to spend one of them when the property’s third film hits Disney+, Disney Channel.
The film hits theaters Friday. We spoke to director and Icon Creative CEO Shea Wageman about the rare North American indie, and why it’s not the studio’s last.