The Animation That Changed Me: Hisko Hulsing on ‘Pink Floyd — The Wall’
“Here was an insanely beautiful film that was about me!” says Hulsing. “About the pain and depression and craziness that I felt.”
“Here was an insanely beautiful film that was about me!” says Hulsing. “About the pain and depression and craziness that I felt.”
Santa has some important news.
A look back at the Oscar-nominated short and the innovative artistry of Chris Lavis and Maciek Szczerbowski, directors of ‘The Girl Who Cried Pearls.’
INBTWN bills itself as an “animation convention & festival built from the ground-up for today’s digital audiences.”
Cambodian textile factories, Parisian street urchins, an albino girl with telepathic powers — here lies the future of European feature animation.
Josh Weinstein wants to know which gags you didn’t get.
The new offices “enable storytellers to tap Weta’s production pipeline and work with concept designers, animation supervisors, and other key creatives,” says CEO Prem Akkaraju.
The filmmakers behind Netflix’s holiday special “Alien Xmas” discuss the uses of the pre-eminent stop-motion software.
There’s been a slight adjustment at the top of Hollywood’s biggest movie studio. Here’s what that means.
The agency will work on licensing and merchandising around the hit anime title, which comes out in North America early next year.
A pyschotropic exploration of spirituality and death – or a tale of a little goofball hopped up on goofballs.
Crane’s epic career ran from Terrytoons in the 1950s to MTV in the 1990s and beyond, spanning series, commercials, and features.
The article is a trove of anecdotes about Don Bluth, vegetarian food, psychedelic drugs, and more…
Disney has subjected the company that bears her name to her harshest criticism yet.
Pining for old episodes of “Daria,” “Beavis and Butt-Head,” or “Drawn Together”? You’re in luck.
Clifton’s appointment builds on her collaboration with the company on two upcoming series, “Lena!” and “Harriet the Spy.”
Hype Animation, Red Animation Studios, and Punkrobot have formed Los Amigos, billed as “the largest collective animation studio in Latin America.”
The deal cements a relationship between Crawford and the studio that stretches back to 2006.
The new venture will leverage the proprietary Trioscope technology, which marries live-action performances and animated environments.
A tribute to the talents the community lost this year: animators and cartoonists, directors and producers, voice artists, dancers, and basketball players.
The John Lasseter-led studio’s films are currently set up at Paramount and dated for 2022.