Ottawa Animation Festival Reveals Competition Selections For 2020 Virtual Edition
The Ottawa International Animation Festival has picked 92 shorts and 6 features in competition for its 2020 edition.
The Ottawa International Animation Festival has picked 92 shorts and 6 features in competition for its 2020 edition.
Richard Linklater to make his third animated feature for Netflix.
The program offers an intensive two-year exploration of animation from an artistic perspective in Ireland, Belgium, or Portugal.
The Indian-European co-production marks another strong indie acquisition by the streaming platform.
Best of all: everything is free!
The trailer’s director Paco Zamudio talks to us about the state of Mexican and Latin American animation.
Colin Jack tells us why he started using the app — and why he published a tutorial to help others do the same.
A ten-year-old narrates the life of a coronavirus.
In post-lockdown cinemas, the only thing that matters is animation.
The minishort is directed by Alberto Mielgo, the original production designer of “Spider-Verse.”
The feature-length memoir was the only feature in competition at Annecy this year that was directed by a woman. We spoke with director Ilze Burkovska Jacobsen.
The teams behind three projects pitched at Annecy’s MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
The videogame publisher is in turmoil following widespread claims of sexual harassment and abuse throughout its studios.
How Bluth went from Disney defector to Dublin’s animation don.
Bron Digital will emphasize virtual production workflows.
The prospect of tv reform is worrying producers, including animation studios.
The show “will shatter the model minority myth and hopefully usher in a generation of Asian-American storytellers,” says Huang.
“To say I am devastated and furious would be an understatement,” said Sawalha in a statement.
Quibi denies the estimates, but there’s little question that the company’s offerings aren’t resonating with viewers.
Please, voters, just don’t pick “The Simpsons” again.
A former Pixar employee describes a workplace rife with racism, sexism, and class insensitivity.