‘The Good Dinosaur’ Could Make $400 Million, And Still Become Pixar’s First Flop
Even more concerning than a flop is where the studio is headed creatively.
Even more concerning than a flop is where the studio is headed creatively.
Seventeen animated shorts were selected for the Sundance Film Festival’s short film categories this year.
‘Winter in March’ is a handcrafted film that uses soft materials to explore difficult, often painful subjects following Russia’s invasion of Ukraine.
A musician becomes deaf and struggles to adapt to a new life.
Don Bluth might be an animation legend, but you don’t need to give money to him.
The “Croods” crew returns to Netflix on December 24.
Discover the art of Dmitry Narozhny, Cartoon Brew’s Artist of the Day!
The Academy expanded the field of visual effects contenders to 20 films this year.
He’s not inviting you to his mansion anytime soon, but at least we’ve got this video tour.
One man; one insane animated horror film.
Duke Johnson and Charlie Kaufman’s stop motion drama Anomalisa is making its presence felt during awards season.
“The Good Dinosaur” will have to work hard this holiday season to avoid becoming the lowest-grossing Pixar film ever released in the United States.
An animated interpretation of Dr. Oliver Sacks’ case study found in his book “The Man Who Mistook His Wife for a Hat.” It uses photographs to visualize the rare memory condition of patient Jimmie G.
Darnell’s new company Baobab Studios will release its first virtual reality short, “Invasion,” early next year.
How deep does the conspiracy against animation artists go?
Discover the art of Stas Santimov, Cartoon Brew’s Artist of the Day!
A veteran of “Adventure Time” and “Gravity Falls,” “Niki Yang steps out on her own with “Yoyotoki: Happy Ears!”
Selling your own project is not easy, but it’s possible. Here are some tips to take your animation pitch to the next level.
Is your holiday tree lacking that extra special something? Tired of the same old ornaments and toppers? Add an animation director to it.
“Anomalisa” was a lot of work: Three years in the making, 1,261 faces, 1,000+ props and costumes. and 118,089 frames of film.
Hopefully Pete Docter has started clearing space on his mantel because the awards for “Inside Out” are going to pile up quickly this award season.