Ottawa International Animation Festival Unveils Seven-Feature Competition Lineup
This year's OIAF runs September 21-25.
This year's OIAF runs September 21-25.
Find out just how lucky, and just how unlucky, one girl can be in the trailer for Luck, coming to Apple TV+ next month.
The workers filed to join The Animation Guild in May, and have now won voluntary recognition from Disney's 20th Television Animation.
Animation workers voted 87% in favor of ratifying the new contract.
Givenchy's 101 Dalmatians t-shirts costs $700, but at least the 2d Disney animation is free to watch.
Hulu looks keen on expanding its adult animation efforts after appointing Parker to the newly-created position.
A new video dives into the history of LGBTQIA+ representation in animation over the past century.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
The Sea Beast, The Bob’s Burgers Movie, and The Bad Guys highlight an exciting crop of new animation heading to streaming in July.
Knowlton's pioneering work at Bell Labs in the 1960s is the foundation on which modern computer animation is built.
We review two unique titles from this year's Annecy Contrechamp competition.
The company will no longer go public due to the "headwinds in the SPAC marketplace and general market volatility."
Watch show creators Everett Downing and Patrick Harpin's first visit to the French animation studio producing My Dad the Bounty Hunter.
Reallusion is offering 2d artists worldwide two months of the software for free.
Cartoon Brew looks at three standout projects pitched at this year's Nigeria Focus at Annecy's MIFA.
The Dexter's Laboratory and Samurai Jack creator will get “maximum creative flexibility to develop original material and access to the extensive character and franchise libraries at each studio.”
'Paddington in Peru' sees the cg bear cross the Atlantic for the third installment of the hit film series from Studiocanal, Heyday, and Framestore.
These guidelines will help facilitate a better working relationship between clients and artists.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
In a lame attempt to justify Cartoon Network's return to live-action, Amy Friedman alienated a huge number of animation fans and professionals.