Michel Ocelot’s ‘Dilili In Paris’ Acquired by Samuel Goldwyn Films For U.S. Distribution
"Dilili in Paris" becomes the second César-nominated animated feature this year to get a U.S. distribution deal.
"Dilili in Paris" becomes the second César-nominated animated feature this year to get a U.S. distribution deal.
"This Magnificent Cake!" won the top prize in a majority live-action film line-up.
For the first time this century, all the BAFTA short animation nominees are hand-drawn films. We explore the visual development of each film.
PAY ATTENTION TO THESE FILMS!
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.
An extensive conversation with "Spider-Man: Into the Spider-Verse" director Bob Persichetti.
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
Four awards in one weekend have put Sony Animation in unfamiliar territory: producer of the year's best animated feature.
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, "Ella, Oscar & Hoo" strikes an unusually poetic chord for a children's series.
In another major coup for Netflix, the streamer has signed an exclusive deal with a leading creator of preschool programming.
The Walt Disney Company, the leading financial sponsor of ASIFA-Hollywood's Annie Awards, received 42 total nominations.
The cause of the death was the neurodegenerative disease ALS.
Director and animator Luc Chamberland carries multiple notebooks wherever he goes. "There’s too much stuff happening in the head so I write it and write it and get it out."
Netflix is shaking up the animation industry in a big way. Here a look at the studio's upcoming projects.
A handful of animated features are already considered frontrunners, while a large number of underdogs aspire to defy the odds and snag a nomination.
Spanish artist Nacho Rodríguez invites us into his studio, and shares how his environment inspires and influences his animation work.
If you thought 2018 was a big year for animated features, just wait until 2019.
We invited industry pros to tell Cartoon Brew readers what's inspiring them right now.