‘Minions: The Rise Of Gru’ Shatters Independence Day Box Office Records
With a $128 million launch, Minions signals the return of big box office animated features.
With a $128 million launch, Minions signals the return of big box office animated features.
The Minions have done what Pixar couldn't: proven that audiences still want theatrical animation.
Hulu looks keen on expanding its adult animation efforts after appointing Parker to the newly-created position.
Reviews are mixed for Illumination's latest, which is predicted to pull in between $65-93 million over the July 4 weekend.
The streamer will also begin airing new episodes of 'The Cuphead Show' in August.
A new video dives into the history of LGBTQIA+ representation in animation over the past century.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
The BBC sees another high-level departure as it shakes things up to become a digital-first broadcaster.
Knowlton's pioneering work at Bell Labs in the 1960s is the foundation on which modern computer animation is built.
With nearly 18 million followers on Youtube, the Odd1sOut is taking its act over to Netflix.
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
As the six-week theatrical window model gains favor, could Bob's streaming premiere tip off Disney's plans for Lightyear or Strange World?
The executive warned against the slippery slope of letting outside voices, particularly those from social media, impact creative expression.
Lightyear was supposed to be the film that marked Pixar’s triumphant return to the bigscreen. But its weak box office tells a different story.
In addition to his own shows, Peck worked on animated series like The Critic, The Real Ghostbusters, and Jumanji.
From high-concept fantasy tales to deeply personal documentary, this year's feature film pitches at Annecy's MIFA market had a bit of everything.
The Dexter's Laboratory and Samurai Jack creator will get “maximum creative flexibility to develop original material and access to the extensive character and franchise libraries at each studio.”
Paramount Animation and Nickelodeon Animation are producing the film, penned by South Park's Pam Brady.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.