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Netflix Unveils Upcoming Titles From Sergio Pablos, Steve Box, Folivari
Netflix shared news and artwork for four upcoming features and four series being produced across Europe.
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‘The Bob’s Burgers Movie’ Is Disney’s Most Successful 2D Release Since ‘The Princess And The Frog’
But don't expect more 2d animation releases from Disney anytime soon.
The Animation Guild Has Reached A Preliminary Agreement With AMPTP
After months of negotiations, animation workers in L.A. have reached a new labor agreement with animated film and tv producers.
‘The Bob’s Burgers Movie’ Reviews Roundup: A Chef’s Kiss For The Belcher’s Big Screen Debut
Disney's first hand-drawn theatrical feature in over a decade is being welcomed with open arms by critics.
Magical Mash-Ups: A History Of Live-Action/Animation Hybrids
The release of Chip ’N Dale: Rescue Rangers got us thinking about the long history of mixing live action and animation in the days before computers.
Stuttgart Wraps Hybrid 2022 Edition, ‘Bestia’ Takes Top Honors
Bestia, Steakhouse, and To the Last Drop featured among the winners at this year's Stuttgart Festival.
HBO Max, Cartoon Network Expand Original Animation Slate With ‘Driftwood,’ ‘Invincible Fight Girl’
Space opera Driftwood and adventure-comedy Invincible Fight Girl are heading to the Warner-owned streaming platform.
Annecy Unveils 15 Projects Picked For 2022 Work-In-Progress Sessions
Annecy will host early looks at projects from Naoko Yamada, Genndy Tartakovsky, Aardman Animations, Skydance Animation, Tonko House, and others.
Annecy Unveils 20 Features In Competition Lineups
Annecy is back with an entirely in-person format for 2022, and boasts an appropriately stacked competition lineup for the occasion.
Netflix Unveils Multi-Picture Deal With ‘Drifting Home’ Producers Studio Colorido
The streamer also released a trailer for their first Colorido co-production 'Drifting Home.'
On Take Your Child To Work Day, Emily Hubley Talks Three Generations Of Family Animation
Faith and John Hubley regularly involved their children in their work, melding business and play throughout their filmmaker careers.
‘The Bad Guys’ Director Pierre Perifel On Shifting Away From CG Paradigms (Video Interview)
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks's The Bad Guys.
The Making Of ‘Snowlands’: How To Turn An Animation Screenplay Into A Graphic Novel
Filmmaker Morr Meroz walks readers through the process of why and how he turned his feature film script into a graphic novel.
Watch: ‘Your Name’ Director Makoto Shinkai’s ‘Suzume no Tojimari’ Gets First Trailer
Take a first look at highly anticipated fantasy road movie, set to hit Japanese cinemas later this year.
Animation Coming To Netflix, Disney+, HBO Max, Apple TV+, And More In April 2022
A rundown of animation coming to U.S. streaming services in April 2022.
‘Apollo 10½: A Space Age Childhood’ Reviews Roundup: Linklater’s Latest Gets Out of This World Reception
Critics are praising the film's nostalgic appeal and Linklater's novel approach to first person storytelling
‘Twice Upon A Time’ And ‘Sesame Street’ Director John Korty: An Appreciation
Harley Jessup, Henry Selick, and Brian Narelle share their memories of an iconic American filmmaker.
Anton Dyakov, Director Of The Oscar-Nominated ‘Boxballet,’ On Crafting An Unconventional Love Story
Cartoon Brew spoke with Dyakov about how he structured his short film, the differences between animating boxing and ballet, and why he chose to include a single word of dialogue in an otherwise silent film.
Editor Janus Billeskov Jansen Explains His Role In Constructing The Narrative Of ‘Flee’
Jansen's masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated "Flee."
Animation Dingle Kicks Off 2022 Virtual Edition Next Week And It’s Packed With Amazing Events
Get ready for two amazing days of animation screenings, conferences, awards, and workshops – all from the comfort of your own home.
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