For Second Week Running, Studio Ghibli Films Take Top Three Spots At Japanese Box Office
Ghibli re-releases are dominating the box office in Japan.
Ghibli re-releases are dominating the box office in Japan.
Happy Fourth of July?
Shu, a Toon Boom Ambassador, explains how she used Harmony 20 to create a hand-painted aesthetic.
How is the movement for racial justice shaping animation? We speak to industry figures who are pushing for change.
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
For the first time, the top feature prize went to a film that no one got to see.
A Chinese girl and her pet rabbit board a rocket to space in this new feature from Netflix and Pearl Studio.
An Egyptian fantasy, a transgender murder mystery, an apocalyptic coming-of-age tragicomedy, and more…
Ever-reliable animation distributor GKIDS has acquired North American distribution rights to the indie Japanese animated feature On-Gaku: …
The final panel of Cartoon Saloon's “Irish folklore triptych” is almost here.
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
Having established itself as a major player in indie shorts, the French company is now charging into feature production.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
A twist: it may not come to cinemas at all.
Toronto's Guru Studio is crewing up an additional 80 people for "Mecha Builders" — without any face-to-face contact.
An animated short by David Lynch set to a composition by Marek Zebrowski.
Roy, an experienced animation producer at the National Film Board of Canada, will now spearhead a broader creative strategy for the organization.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.