How Nuke Helped Studio Ghibli Find A New Dimension For ‘Earwig And The Witch’
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
From Mickey to Marvel, Buzz Lightyear to Homer Simpson, Disney is home to a who's who of animation legends.
The Warner Bros. sequel opened with $31.6 million domestically against a budget of $150 million.
Galloway has carved out a niche creating stop-motion commercials with toys. He tells us how he got here.
Warner Bros., Cartoon Network, DC Comics, HBO Max, Looney Tunes, Hanna-Barbera: Warnermedia has one of the world's most famous animation portfolios, period.
The festival will also host the world premiere of "Satoshi Kon, The Illusionist," a documentary about the late anime master.
Reviews of three disparate films that played in competition at this year's Annecy festival.
Welcome to the Hanna-Barbera Shared Universe.
Jérémie Périn's debut feature is that rare thing in animation: a sci-fi detective story.
Our notes from a panel on Japanese animation including Tomm Moore, Sofia Alexander, and Michael Dudok de Wit.
We watched all the feature pitches at Annecy's MIFA market. Here are the three we liked best.
Enrico Casarosa’s radiant first feature is an ode to the kind of bond that only young boys can form.
The film will world premiere at Annecy next week.
This week, we spotlight five directors who have a short film in competition at Annecy.
The film will be released in 2022.
The media titan is home to Paramount, Nickelodeon, MTV, Fleischer cartoons, "Garfield," "Rugrats," "Avatar: The Last Airbender," and much more …
An appreciation of one of the titans of the animation world.
Welcome to Series Craft, a new series in which we explore a particular creative facet of a show's production in-depth and discuss the creative choices that lead to the finished result onscreen.
"We didn't want to go forward with what we had," says The CW network chief.