Funko Acquires U.K. Studio Evil Corp For $4 Million
The studio is being renamed Funko Animation Studios.
The studio is being renamed Funko Animation Studios.
Cartoon Brew's Short Pick of the Day returns with a powerful animated short from Italy.
"Isle of Dogs" is set to make history at the Berlin International Film Festival.
The ASIFA-Hollywood Annie Awards love Disney.
An explanation of light field rendering and how it can help animators with immersive vr filmmaking.
Who's going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Watch the world premiere of Alessandro Novelli's "Lights," part of season 2 of CB Fest.
Watch the premiere of the 360-short "Plant Room," which examines the heavy influence of technology on our lives.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
Faceware's markerless motion capture tech is now available for character and avatar animation software iClone 7.
A married cat-dog couple of cupcake bakers dream of opening their own bakery.
Do we need an Addams Family reboot? MGM seems to think so.
Cartoon Brew presents 60+ films that are known to have qualified for the animated shorts category of the 2018 Academy Awards.
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
Award-winning animation filmmaker Jonathan Ng is fighting back after seeing his short film re-used as the music video for a popular Australian musician.
Cuphead delivers on its promise of letting anyone play a classic hand-drawn 1930s cartoon.
Aardman needs to do more than make a Youtube channel if it wants to support independent creators and producers.
"Ugly," a film made with funding from Cartoon Brew, won the short film grand prize tonight at the Ottawa International Animation Festival.
Headed to U.S. theaters next February…
Youtube's poorly-regulated and selectively-enforced policies continue to hurt filmmakers.