Rémi Chayé Interview: ‘Long Way North’ and The Indie Challenge
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
Frank Braxton broke animation's color barrier in the early-1950s, changing the animation industry forever.
Acting instructor Ed Hooks explores the animated performances of this year's five feature animation nominees.
At one point during tonight's Annie Awards ceremony, after Pixar had won its umpteenth award, SpongeBob voice actor Tom Kenny asked the audience, "When are we going to start calling these awards The Pixies?"
From new visions to revivals of lost wonders, next year's incoming animated features reach far and wide.
Good news for men though: they directed 100% of American animated features released in 2015.
Pixar will finally answer the question, What if a Mexican boy named Miguel could meet his long-dead Mexican family members?
The best answer you'll ever hear to this question.
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
Long before "Tangled" and "Frozen," Disney artists complained about the silly title of another Disney film—"The Great Mouse Detective."
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, "Basil of Baker Street" was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
Disney TV Animation announced an unusual series of pilot deals and projects today with an un-Disney-like roster of creators.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
My wrestling match with Ken Anderson now over, I returned once more to Wolfgang "Woolie" Reitherman and Larry Clemmons, working on the story end of "The Fox and the Hound."
The Academy of Motion Picture Arts and Sciences, the stodgy group of film industry workers who hand out the Oscars, has revealed a list of the 271 people it has invited to become members of its organization this year.
For the fifth year in a row, we are delighted to present the selections for the Cartoon Brew Student Animation Festival, our online showcase for animated short premieres by student filmmakers. We like to believe that each year is our strongest year, but this year's selections feel particularly vital, illustrating the remarkable breadth of work currently being produced by student filmmakers around the globe.
Reading beforehand what this episode was supposed to be about, my mind completely went somewhere else. Steven’s at that age when boys want alone time for a very specific reason and while I was 99.9% sure Cartoon Network wasn’t going to go that far, I thought they’d at least allude to that idea of adolescence and growing up. Instead we dived into the real reason (sort of) that Steven wanted to be left alone, and dug a little deeper into the idea of his parental units via a room and a weird, very strange world created by said room.
The elaborate "Simpsons" couch gag directed by Sylvain Chomet ("Triplets of Belleville," "The Illusionist") now has a making-of video courtesy of the production company that produced the opening, London-based th1ng.
“So Many Birthdays” Written and Storyboarded by Raven M. Molisee and Paul Villeco. “Lars and the Cool Kids” Storyboarded by Lamar …
IN THE EARLY 1980S, CARDON WALKER JR. AND I produced the "Disney Family Album" series for The Disney Channel. It was one of the very first series funded by the Channel, and the first to get any kind of critical acclaim thanks to our nomination for a Cable Ace Award for Best Documentary Series. But we had an even bigger ambition, and that was to land the Great White Whale of Disney myths, the life story of Walt himself.