Oscar Shortlist Interviews: Director John Musker Shares His Favorite Shot From ‘I’m Hip’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
The new year brings new animated series to all the big streaming platforms. We've picked out three debuts that seemed particularly interesting.
It's been a whirlwind year for Quebec animator Janice Nadeau since the premiere of her animated short Harvey at Clermont-Ferrand.
The hybrid project had tested strongly with audiences.
Disney may be the leading purveyor of safe, family-friendly entertainment today, but that hasn't always been the case.
Production designer Aidan Sugano spoke with us about the film's bumpy development, his role on the film, and putting together the book.
'Starling' was produced through Pixar’s co-op program which allows employees to use studio equipment for their personal projects.
Bush, who passed away earlier this month, never shied away from trying a new filmmaking technique.
David Hand, who worked at Disney for a spell in the 1990s, says his father and Walt would be "turning in their graves."
Hardwick voiced 'King of the Hill's Dale Gribble from day one and picked up three Emmy nominations and a win as a producer on the show.
Spence developed his kinetic style working under Ub Iwerks and Tex Avery and went on to animate some of Tom & Jerry's wildest moments.
Perlman’s vast body of work offers endless comic relief from our nutbar world.
"We’re not going to release an expensive original animated movie and just pray people will come," says Paramount Pictures CEO Brian Robbins.
Reviews are praising the film's unique animation style, exciting action sequences, and strong moral compass.
Manney's latest is subverts "traditional western cartoon aesthetics" which he feels are often used to dilute the true toll of violence.
An animated animator smiles and sings through his pain in this whimsical musical short.
Historian Vincent Alexander has put together a collection of fire and water animation that spans more than 90 years.
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
The move is part of a larger Gaumont plan to centralize its animation and kids and family divisions in Europe.
Blacklock will be in charge of finding, developing, and producing animated productions for both film and tv.