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An Oral History of Morphing in Michael Jackson’s ‘Black or White’
We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.
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How President-Elect Donald Trump Was Animated in Real-Time With Adobe Character Animator
"The Late Show with Stephen Colbert" created something outside the realm of what people expect to see on TV—real-time interaction with an animated character.
Portable Animation Tool Inchworm Just Got Updated for the Nintendo 3DS
Nintendo 3DS has a surprisingly powerful and cheap animation tool, thanks to "Waking Life" animation director Bob Sabiston.
From ‘Cow & Chicken’ to ‘Open Season’: Q&A with David Feiss
What's new with "Cow & Chicken" creator David Feiss?
Microsoft’s Gorgeous Surface Studio Might Be A Cintiq Killer
Microsoft is edging into Apple and Wacom's territory with its all-in-one touchscreen desktop Surface Studio.
ILM’s Rebel ‘Jurassic Park’ Artists Reflect On The State of VFX Art Today
Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on "Jurassic Park," "T2," and "The Abyss," talk about what's different about the vfx industry today.
Terrence Malick Prefers Old-School VFX For ‘Voyage of Time,’ Opening Today in IMAX
“It’s kind of like the ultimate [visual effects] project,” says "Voyage of Time" vfx supervisor Dan Glass,
‘Miss Peregrine’s Home for Peculiar Children’ Goes For the Harryhausen Touch
Find out how Double Negative created a battle sequence between skeletons and invisible creatures in Tim Burton's latest film.
In Conversation: John Canemaker On The Disney Family Museum’s Massive ‘Pinocchio’ Exhibit
The biggest collection of material ever from the production of the seminal Disney film 'Pinocchio' is currently on display in San Francisco.
Finnish Studio Gigglebug Shares 7 Insights on Turning An App Into A TV Series
The creators of the Finnish cross-media brand "Gigglebug" share their unconventional app-to-broadcast journey.
15 Rare Color Photos Of Walt Disney And Artists You Probably Haven’t Seen Before
The Disney studio in 1956—in glorious color!
SVA’s MFA Computer Art Department Is Celebrating 30 Years
Technologies have changed over time, but one thing remains the same about SVA's MFA Computer Art program: its unique multidisciplinary approach to digital art making.
Laika Was Crazy Enough To Animate A 16-Foot Tall Skeleton for ‘Kubo and The Two Strings’
We go behind-the-scenes to learn how Laika animated one of the biggest stop motion puppets ever constructed.
Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
‘Sausage Party’ Directors Conrad Vernon & Greg Tiernan On Making 2016’s Most Outlandish Animated Film
The directors of "Sausage Party" talk about the challenges of selling an R-rated animated feature in Hollywood, producing a film on a fraction of the budget of other studios, and knowing when you've gone too far in an R-rated cartoon.
Ottawa Animation Festival 40th Anniversary Look-Back: ‘The Man Who Planted Trees’
Animation historian Maureen Furniss revisits the Ottawa grand prize-winning short "The Man Who Planted Trees."
Interview: Mark Osborne’s Personal Journey On ‘The Little Prince’
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
World Record Broken For Fastest Drawing of Fred Flintstone (Updated)
Can you beat 18.7 seconds?
Making CGI Less Perfect: How Michael Fragstein Made ‘Dagner’
Computer animation is known for its precision, but as Michael Fragstein shows, adding imperfections and abstraction into CG can be just as beautiful.
Making A Nuclear Apocalypse: How The Iconic Sequence In ‘Terminator 2’ Was Created
Early digital effects were mixed in with breakfast cereal and matzo crackers to create one of the iconic sequences in contemporary cinema.
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