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Stop Motion Master Phil Tippett Brings Hand-Made Vitality to Augmented Reality Holo-Chess Game
Phil Tippett is using augmented reality to bring his classic creatures to life in the new game Hologrid: Monster Battle.
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‘A Surreal Lucid Nightmare’: The Making Of ‘Warhammer 40,000: Dawn of War III’ Trailer
As much a surrealist art piece as a game promo, the trailer for Warhammer 40,000: Dawn of War III is a unique accomplishment. Cartoon Brew takes a look at how it was made.
The Tech Behind Bebop and Rocksteady’s Comic Turns in ‘Teenage Mutant Nina Turtles: Out of the Shadows’
Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
An Interview With 3 SVA Computer Art MFA Grads Whose Films Were Selected for Annecy
New York City's School of Visual Arts MFA Computer Art department is receiving global recognition for the shorts created by its students.
How They Made That ‘X-Men: Apocalypse’ Scene Everyone Is Talking About
Adelaide, Australia-based Rising Sun Pictures made the vfx for the most talked-about shot in the new "X-Men" film.
An Oral History of ILM’s ‘Dragonheart’ On Its 20th Anniversary
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
Not Your Grandpa’s Talking Animals: How Animators Kept ‘The Jungle Book’ Real
Cartoon Brew delves into the animation challenges of Disney's latest blockbuster.
How ‘The Simpsons’ Used Adobe Character Animator To Create A Live Episode
The producers of "The Simpsons" called on Adobe to help them bring Homer to life in real-time.
Observations from the VR Front: ‘Pearl,’ Invasion!’ and ‘Allumette’
We look at some of the latest high-profile vr animation projects, and offer some thoughts on this new animation frontier.
Fusion Compositing Software Is Now Free And Available On Macs
There’s never been a better time to composite your vfx/animation projects and do color grading -- for free.
FMX Report #2: What The VR Future Holds
As quickly as it began, FMX is over for another year. Perhaps more than at previous conferences, speakers were especially confident in …
FMX Report #1: This Year Is All About VR
Cartoon Brew reports from Germany's digital art conference FMX.
First Look: ILM Artist Greg Jonkajtys Is Developing A ‘Teddy Floppy Ear’ Feature
Visual effects veteran Greg Jonkajtys is giving a high-tech upgrade to a classic Polish children's property.
‘Ghost Cell’ Uses Cutting-Edge CG Tech To Reveal A New Side Of Paris
Paris might just be one of the most photographed and filmed cities in the world. But you’ve never seen it like this.
‘The Old New World’ by Alexey Zakharov
A photo-based animation project that travels back in time with a little steampunk time machine.
2016 Oscar Nominations: Feature Animation Acting Analysis
Acting instructor Ed Hooks explores the animated performances of this year's five feature animation nominees.
Morton Salt Creates A 90-Second Short To Sell Its Ice Melter
Selling a salt-free ice melter can't be easy, but this spot for a Morton Salt product does an effective job of communicating its value to dog lovers through a short story.
Interview: Richard Williams Talks About His Oscar and BAFTA-Nominated Short ‘Prologue’
"Prologue," he says, "is the only thing so far in my career that I've ever been really been pleased with."
‘We Left the Door Ajar, and Christopher Nolan Slipped In:’ An Interview With The Brothers Quay
Cartoon Brew speaks with the Brothers Quay about Christopher Nolan's documentary, their exhaustive Blu-ray collection, and the challenges of finding funding for new projects.
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