KrumbleTV Creator On Making Animated Films With Metahuman Creator
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
Indian animator Prosenjit Biswas walks us through his process of using Cartoon Animator 5 to create his animation projects.
A 2d version of the charming aquatic short 'Ink' is now available online.
Displaced to London and Montreal by the Russian invasion, the siblings made the Ukrainian Academy Award-nominated 2022 short 'Little Wings.'
A collection of the tributes and obituaries we published over the past 12 months to honor lost figures from the global animation community.
Bristol-based animator Christopher Meyer-White explains why he used Cartoon Animator 5 for his show 'Polly and Parrot.'
Procreate Dreams will be released globally later this year for a one-time purchase price of $19.99.
According to Nagy, "beginner or a professional, anyone can enjoy using this software regardless of skill level."
The alliance will work to standardize the cg ecosystem by advancing the capabilities of Open Universal Scene Description.
CTA 5.1 introduces image sequences, a particularly exciting addition for traditional 2d animators who excel at free-hand sequence drawings
Pavel Sannikau is solo-animating the ever-expanding animated website which features your favorite pop culture characters living together on a space station.
Nathan Smith from Studio Ghibletz explains how his team used CA5 to improve their workflow on 'Anomaly Karen.'
We caught up with Venturia founder Juan M. Urbina, who directed the Hanna-Barbera-inspired video.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
Cartoon Animator 2D Marketplace developer Garry Pye walks through a few reasons CTA5 will have your characters looking better than ever.
Emanuele Kabu's new short is made digitally on paper. We asked him how that's possible.
That which is above is like that which is below, and that which is below is like that which is above.
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
Independent animator Cas van de Pol tells us how he organically grew his following into a hit Youtube channel.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.