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Max Landman’s Out-Of-This-World Short ‘Baloney Beacon’ Features Creatures Made Entirely From Balloons
According to Landman, he wanted to make something "as alien as possible" using the balloons he's been twisting for 13 years.
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Why The ‘Ernest & Celestine’ Sequel’s Narrative Depended On Nailing The Character Designs – Exclusive Artwork
We caught up with directors Julien Chheng and Jean-Christophe Roger, who shared a bunch of character design art with us.
‘Aladdin,’ ‘Moana’ Director John Musker Goes Indie With Annecy-Debuting Short ‘I’m Hip’
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
Civilization’s End Has Never Been More Fun Than In Jorn Leeuwerink’s Ecological Allegory ‘Pig’
The film was released online this week after a successful international festival run.
‘The Voice In The Hollow’ Is A Stunning Stylized CG Short, And The Filmmakers Documented The Entire Production
Miguel Ortega and Tran Ma (a.k.a. Half M.T. Studios) documented more than 100 hours of production on their thrilling short.
Matt Kiel’s Pastel-Drenched Feature ‘Unicorn Boy’ Premieres At Slamdance This Weekend
Kiel single-handedly, directed, and animated the film.
Re-Creating An Icon: Bringing Jessica Rabbit Into The Third Dimension With iClone
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
How FuzzyPixel Harnessed Cloud Tools To Create Its Short Film
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
How CG Studio Method & Madness Buried Boris Johnson In Digital Trash
For the Greenpeace campaign video "Wasteminster," the studio had to drop the equivalent of 67.7 million items of cg trash onto the U.K. prime minister's residence.
Exclusive Short Film Premiere: ‘Cupcake Quarantine’ Is An Independent Film Made By Four Disney Animators Under Lockdown
Amid the delirium of remote working, four Disney animators found a way to bring their toilet paper to life.
Tools Of The Trade: Gitanjali Rao on Corel Painter’s Frame Stacks
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
A Character Animator’s Adventures In Motion Design
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
How They Did It: Jérémy Clapin Explains The Unconventional Production Process Of ‘I Lost My Body’
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
How They Did It: Organic Water Effects With A Flash/Maya Pipeline
Marza Animation Planet converted Flash animation to Maya for organic water effects in their latest short film.
How They Did It: Animating Hong Kong’s High-Rise Buildings In ‘Serial Parallels’
A new way of looking at Hong Kong through animation…
What Is Interactive Direction? Find Out In A New Episode Of ‘This Is My Job’
"It's never the technology and it's never even a story," says Vincent Morisset. "It starts as a feeling that I want people to have."
Watch The Premiere Episode Of Our New Series: ‘This Is My Job’
What is the role of a production designer in an animated feature? Ron Kurniawan, production designer of "Smallfoot," explains.
Chinese Government Debuts Photoreal Synthetic News Anchor
The AI-generated synthetic anchor was created with the goal of replicating realistic movement, facial expressions, and voice.
Inside The Artist’s Studio: Nacho Rodríguez
Spanish artist Nacho Rodríguez invites us into his studio, and shares how his environment inspires and influences his animation work.
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