Facebook Makes It Easier For Creators To Share 3D Posts
Get ready to see a lot more 3D content on your Facebook news feed, but how do you get it there and what can you do with it?
Get ready to see a lot more 3D content on your Facebook news feed, but how do you get it there and what can you do with it?
A busy February weekend in both the U.S. and China resulted in both hits and misses.
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
A tv animation veteran shares some thoughts on the current demand for series in the animation industry.
A very candid chat about the challenges of making of "Peter Rabbit."
We sent a reporter to the Sundance and Slamdance film festivals to check out animated films - and what we found surprised us.
Facebook as a maker of animation tools? It just happened.
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
We take a look at some promising upcoming Latin American animation projects.
Reactions from the animation nominees are coming in. Updates throughout the day.
A look at how ILM and Andy Serkis' Snoke continued to evolve during production on the latest "Star Wars" film.
Already a hit in several South American countries, "Condorito" opens today in the United States.
The biggest challenge for "Coco" director Lee Unkrich this award season: pretending that his film's executive producer, John Lasseter, doesn't exist.
In order to produce "Negative Space," a gorgeous stop-motion short that illustrates a father and son’s shared ritual of perfectly packing a suitcase, the directors were forced, rather appropriately, to get quite good at the art of packing themselves.
How the directors of 'Revolting Rhymes' adapted Roald Dahl's classic collection of poems, and scored an Oscar short-listing.
To make the film he truly wanted to make, industry artist Robin Joseph had to go indie. Now, his film "Fox and the Whale" is shortlisted for an Academy Award.
A master of animation design and caricature, T. Hee also had another career as a designer of Christmas cards.
There are hundreds of visual effects shots in "Downsizing, but the film is certainly not a visual effects movie.
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro's 'The Shape of Water' possible.
Disney's acquisition of Fox will almost certainly affect Blue Sky Studios and Fox Animation, but no one is exactly sure how.