Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Jackson explains how he develops his pipeline, what tools he prefers to use, and the importance of self-care when working long hours.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
Bestia, Steakhouse, and To the Last Drop featured among the winners at this year's Stuttgart Festival.
Students discuss the illuminating panels, workshops, and other events they have organized in recent months.
A producer explains how they built a pipeline for the upcoming hybrid series "Royals Next Door."
The studio was working on multiple feature animation projects for Netflix at the time of shutdown.
Welcome to Series Craft, a new series in which we explore a creative facet of a show’s production in depth and discuss the choices that led to the finished result.
Experienced animator Amedeo Beretta explains why good 3d animation is about so much more than software.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Get the free ebook "Making an Animated Short."
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
Gints Zilbalodis' unconventional animated feature is screening in competition at both Zagreb Animafest and Annecy.
Director Jeremy Clapin and producer Marc du Pontavice give Cartoon Brew an exclusive first look at one of the year's most original animated features, "I Lost My Body."
"Spider-Verse" won every award for which it was nominated.
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, "Ella, Oscar & Hoo" strikes an unusually poetic chord for a children's series.
The Walt Disney Company, the leading financial sponsor of ASIFA-Hollywood's Annie Awards, received 42 total nominations.
We invited industry pros to tell Cartoon Brew readers what's inspiring them right now.
Welcome to our new weekly briefing of essential animation news from around the globe. Sign up to receive it for free in your inbox every Monday.