Tangent Labs Launches Loupe, A New Cloud-Based CG Production Tool
Tangent describes Loupe as a tool "for artists, by artists."
Tangent describes Loupe as a tool "for artists, by artists."
Noël will help implement the NFB’s 2020–2023 Strategic Plan, which the organization stresses will give more agency to creators.
The festival's industry events will be held online and free to all. Film screenings have been postponed to next year.
"To my eyes, this is a genuine work of theater," says Jean.
"Je vois dans ce film un véritable travail dramaturgique," dit Jean.
Launching the new venture, Neumann cited the growing demand for animation in the Covid era.
The studio currently has 15 original series concepts in its pipeline.
Welcome to the year of five Disney features, Ghibli's comeback, and many, many sequels.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
We consider some films very likely to be competing for an Oscar, from Pixar's latest to an indie film made for $80.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
Eighty-hour workweeks, humiliation by bosses, and a "deeply disturbing" contract are among the factors that some say drove one vfx worker to suicide.
"This film had everything for me: experimentation, creativity, visuals, sound, movement, rhythm, tempo, dynamics, pace, energy," says Keukeleire.
A surreal ode to rebirth and reinvention haunted by the genial spectre of Buster Keaton.
Cinemas floundered in the West while the box office rebounded in the East. Then there's Quibi…
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
"Demon Slayer" has grossed more than $100 million in ten days. "Over the Moon" managed only $582,000 in its first weekend.
China's popular streaming service is actively looking for European production partners.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.