CAT Animation Tutor Pixote Hunt On How To Become An Art Director: Don’t Worry About Style, Find Your Voice
The veteran artist will teach art direction at the online school CAT Animation this summer semester.
The veteran artist will teach art direction at the online school CAT Animation this summer semester.
"Trouble" is the second feature announced by Spire Animation Studios, a new company co-founded by veteran animation producer Brad Lewis.
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
On Twitter, filmmaker Jorge Gutierrez asked why artists should ever return to studios. Here's what others replied…
Spanish animator Mònica Eggert has achieved something rare: she's made a demo reel that's a hit with audiences. We asked her about how it came together.
Ilze Burkovksa-Jacobsen explains how she drew on her experience of an oppressive regime to make her Oscar-qualified feature.
Experienced animator Amedeo Beretta explains why good 3d animation is about so much more than software.
Warnermedia Kids and Family has come up with a multi-pronged approach to take on Netflix, Disney, Youtube, and Nickelodeon in the highly competitive kids' space.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
Animated shorts that Academy voters should take some time to consider.
With each new incarnation, Running Man finds a new audience. Starting off as a hit Korean variety show in which celebrities compete in …
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Users can now automatically generate head and eyebrow movement from recorded audio.
Gonzalo Azpiri of Hookup Animation explains how he used the new release of Toon Boom Harmony 20 to create a mixed-media animation sequence.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…