‘The Nut Job 2’ Records Worst All-Time Opening For A Film In 4,000+ Theaters
"The Nut Job 2" broke an all-time cinematic record for people NOT seeing a film.
"The Nut Job 2" broke an all-time cinematic record for people NOT seeing a film.
We're launching this new resource to help readers keep track of American animated features in development.
Here's your first look at TBS' "Close Enough," a surreal adult comedy series from "Regular Show" creator J.G. Quintel.
Critics aren't holding back on "The Emoji Movie," labeling it a piece of shit…a force of insidious evil…a soul-crushing disaster…nakedly idiotic.
A Hollywood screenwriter was unable to convince a judge that Disney stole "Zootopia" from him.
Titmouse brought its A game for the new Amazon fantasy-adventure series "Niko and the Sword of Light."
Two former Dreamworks directors will direct features for Skydance.
The much-buzzed-about oil-painted feature "Loving Vincent" will launch in the U.S. in September.
Why did the Academy invite a record number of animation artists to join their organization this year?
The writer and co-director of "A Stork's Journey" shares the ups and downs of making an indie animated feature across four European countries.
Watch the trailer for "Mutafukaz," the feature film collab between France's Ankama and Japan's Studio4°C.
Creating comics is a complicated enterprise. You write and rewrite your script, then pencil, ink, color, and letter your pages with care, and then…what happens next?
The well-funded vr animation startup co-founded by Dreamworks director Eric Darnell is creating its first episodic vr animation series.
Eyeing big profits, another live-action production company joins the animation fray.
Last night, The International Academy of Television Arts & Sciences announced the winners of the 5th International Emmy Kids Awards.
We travel to sunny Lisbon to experience Monstra, a two-week long animation festival.
Discover the art of Tea Jurisic, Cartoon Brew's Artist of the Day.
There's more than a few ways to fund an animated feature nowadays, but the surest one of all is to simply be the child of a billionaire.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Made in America with Chinese money, does "Rock Dog" represent a future for animated features?