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Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
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How Netflix And Annapurna Resurrected One Of The Most Courageous Animated Films Of All Time, ‘Nimona’ (Exclusive Video)
Watch a conversation with the filmmakers of 'Nimona,' which is newly nominated for a Critics Choice Award.
‘Misaligned’ Director Marta Magnuska Shares An Exclusive BTS Look At Her Oscar-Qualified Short
The 2d charcoal-drawn short is one of the year's top animated shorts and won the Golden Dove at DOK Leipzig.
2024 Animated Movies Calendar: A Guide To Next Year’s Biggest Films
2024 promises to be another exciting year for animated features!
‘The Amazing Digital Circus’ Creator Gooseworx On Developing The Internet’s Hottest Animated Pilot
The episode has been watched more than 33 million times since coming out two weeks ago.
Matthew A. Cherry On Keeping Max’s ‘Hair Love’ Adaptation Grounded In A World Of Over-The-Top Animated Series
The creator and EP also explains the changes his team made to adapt the Oscar-winning short as an animated series in 'Young Love.'
2024 Oscars Short Film Contenders: ‘Oneluv’ Director Varya Yakovleva
"By showing fragments of violence I had experienced in my life, I was putting together a portrait of society in a patriarchal world," says Yakovleva,
‘Gravity Falls,’ ‘The Owl House’ Artist S.H. Cotugno’s Viral Webcomic ‘The Glass Scientists’ Is Getting A Graphic Novel
Cotugno says the collaborative nature of animation production helped improve their mental health after months of working alone on the comic.
Tools Of The Trade: This Web Programmer Developed His Own Software To Create The Ever-Expanding Sci-Fi Animation Scene Floor796
Pavel Sannikau is solo-animating the ever-expanding animated website which features your favorite pop culture characters living together on a space station.
Go Way Behind The Scenes Of ‘Star Wars: Visions’ Volume 2 With Some Never-Before-Seen Artwork
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
Venturia Animation Studios Takes Us Behind The Scenes Of Bebe Rexha And Snoop Dogg’s New 420-Themed Music Video ‘Satellite’
We caught up with Venturia founder Juan M. Urbina, who directed the Hanna-Barbera-inspired video.
Crafting A Visual Style In A Short Film: This Year’s Oscar Nominees Tell Us How They Did It
See the art that helped define the visual styles of this year's five Oscar-nominated animated shorts.
How The Bureau Of Magic Balanced Tradition And Innovation With ‘Lost In Oz’
Voice actor Ashley Boettcher and executive producer and co-creator Jared Mark discuss their work on the Oz update.
Five Animated Features That Academy Voters Shouldn’t Overlook This Awards Season
These standout features from 2022 deserve a close look from Oscar voters.
12 Standout Animated Streaming Series That Defined 2022
Here are twelve animated series released in 2022 that we'll be talking about for years to come.
Series Craft: Music As A Tool For Storytelling In Tonko House’s ‘Oni: Thunder God’s Tale’
'Oni' creator Dice Tsutsumi and composers Zach Johnston and Matteo Roberts dive into their unique director-composer relationship.
How Google Maps And ‘When Harry Met Sally’ Helped Create The World Of ‘Entergalactic’
DNEG Animation vfx supervisor Archie Donato and animation director Kapil Sharma talk about the inspirations behind the world and characters of 'Entergalactic.'
Making Bread With Alex Boya: How The Canadian Artist Is Worldbuilding In Reverse With ‘The Mill’
Using Giphy, Boya is baking up an expanded universe called 'The Mill' to generate interest in a short film and/or series.
Styles In Animation: Why Felt Feels Right
Cartoon Brew asked several stop motion experts about their feelings on felt, and what makes it the right material for certain projects.
Anton Dyakov, Director Of The Oscar-Nominated ‘Boxballet,’ On Crafting An Unconventional Love Story
Cartoon Brew spoke with Dyakov about how he structured his short film, the differences between animating boxing and ballet, and why he chose to include a single word of dialogue in an otherwise silent film.
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