Marcell Jankovics Q&A: “Why Would One Imitate Reality?”
The Hungarian animation director opens up on his more than 50 years in animation.
The Hungarian animation director opens up on his more than 50 years in animation.
Hasbro's treatment of series creator Christy Marx is nothing to sing about.
An icon of Australian children's entertainment is rebooted in CGI.
Whether or not the "Angry Birds" feature will be creatively risky, it's definitely a financial risk.
The first sign that you might get laid off at Disney: the bosses won't give you a new computer.
Steve Hulett recounts his experiences working on "Oliver & Company" and the unexpected tragedy that happened during its production.
Analyzing the performance and acting in the Academy Award-nominated film "Big Hero 6."
Albert 't Hooft and Paco Vink discuss the challenges of directing a low-budget theatrical feature in a small animation market like the Netherlands.
Analyzing the performance and acting in the Academy Award-nominated film "The Boxtrolls."
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
"I do think that animation can have a language of its own, rather than simply mimicking live action."
"Pim and Pom: The Big Adventure" was not only made on a tiny budget, but had the added challenge of translating the visual style of one of the most beloved Dutch children's book illustrators.
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, "Basil of Baker Street" was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
The average child or adult animation fan with an untrained eye might look at the animated feature "Foodfight!" and think to themself, "That's not the greatest animated film I've ever seen in my entire life." That's precisely why the average child or adult animation fan with an untrained eye doesn't work in a movie studio.
Can an animated feature about depression be entertaining too?
"Basil of Baker Street" by novelist Eve Titus was an illustrated children's book centered on a mouse who fancied himself an ace detective. The mouse resided (naturally enough) inside the walls of 31 Baker Street in London, home of a human-sized ace detective, the name of whom escapes me.
What do you get when you cross a British reality TV show host, the studio that made "Happy Feet," and an 84-year-old cartoon sex symbol? You may not have to wait long to find out.
Join Mr. Piggy on an adventure through time and space. Please wear 25-D glasses.
Don Bluth smiled at me. "I wouldn't worry about being laid off from Disney's, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED."