2019 Oscar Nominations: Animated Feature, Animated Short, VFX
Here are the nominees in the Academy's three animation-related categories.
Here are the nominees in the Academy's three animation-related categories.
Both of these animated features have scored lots of buzz and awards on the festival circuit.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
PAY ATTENTION TO THESE FILMS!
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
The Grease Pencil provides 2d animation tools within Blender's free and open-source full-3d pipeline.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of "breathing paintings" for the hybrid documentary "Liyana."
If you thought 2018 was a big year for animated features, just wait until 2019.
Cartoon Brew speaks to the organizer of "Dover Boys Reanimated," a fun recreation of a classic animated film.
On the day of the film's world premiere, director Milorad Krstić talks about his action-packed and intellectually stimulating animated thriller.
This film is a major rarity in the U.S movie market.
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Sylvain Chomet's modern animated masterpiece "The Triplets of Belleville" premiered in French theaters on this day 15 years ago.
The co-art director of the Oscar-nominated film "The Breadwinner" walks us through the design process of the film.
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
Made at the height of the 2d animation boom in the United States, "Anastasia" was the highest-grossing film that Don Bluth and Gary Goldman ever made.
Before "Frozen" and "Zootopia," there was a film called "Oilspot and Lipstick."
Bandai Namco teased their upcoming anime vampire RPG Code Vein with a mysterious hand-drawn teaser. We speak to director Lizzi Akana about how the idea happened.