Eric Goldberg, Jason Sterman On Disney’s ‘Sketchbook’ And The Company’s Return To Hand-Drawn Production
Goldberg and Supper Club producer-director Jason Sterman sat down with Cartoon Brew to discuss Disney's new learn-to-draw series.
Goldberg and Supper Club producer-director Jason Sterman sat down with Cartoon Brew to discuss Disney's new learn-to-draw series.
Set in rural Missouri, the film will be a departure from Laika's traditional kids and family fare in both aesthetic and narrative terms.
Legendary composer Joe Hisaishi will produce the RSC stage adaptation in partnership with Studio Ghibli.
Lang joins Cartoon Brew from Variety, where for the last seven years, he covered film and tv industry news from around the world and contributed to over 1,500 pieces.
Solar Opposites production workers are only the second such group to be represented by The Animation Guild in recent history.
The Bad Guys and Sonic topped the U.S. box office over the weekend, while Sing 2 crossed a major global milestone.
Industry animator Toniko Pantoja explains common mistakes and misconceptions among animators, amateur and professional alike
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks's The Bad Guys.
Two new animated features are getting major festival debuts.
The Bad Guys reviews are looking good, with critics cheering the film's humor and action sequences.
A look at how Russian animation producers are trying to adapt as companies in the U.S., Europe, and Australia have halted their purchases of Russian children's content due to the invasion of Ukraine.
Filmmaker Morr Meroz walks readers through the process of why and how he turned his feature film script into a graphic novel.
From Sesame Street to She-Ra and Beany & Cecil to Beauty and the Beast, Carl Bell worked on countless classics.
The previous record holder was the first Sonic film.
After years of uncertainty and delays, the former Blue Sky production is now set to launch on Netflix in 2023.
For our review roundup, we opted to focus on the few – very few in fact – reviews which addressed the film’s cgi work.
The GLAS Animation Festival starts today – and you can see all of it online.
Michael Bay is unhappy with the vfx in his film – and he's not going to take any responsibility for it.
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.
The perfect response to yesterday's events.