‘Full House’ Star Dave Coulier Launches Production Company With Animation Vet Bob Harper
The company will "tap into" the fan base of the "Full House" franchise.
The company will "tap into" the fan base of the "Full House" franchise.
"It was a film by a woman, featuring a woman who was talking about very un-cartoony topics," says Furniss of Joanna Priestley's 1985 short. "I'd never seen anything like it."
In the series studied, 51% of main characters were white and 63% were male.
There's been a slight adjustment at the top of Hollywood’s biggest movie studio. Here's what that means.
Three animation studios tell us what it takes to create an original show in the country.
A tribute to the talents the community lost this year: animators and cartoonists, directors and producers, voice artists, dancers, and basketball players.
Reviewers like certain elements of the show, but many say it's not firing on all cylinders.
These indie animated features remind us that there isn't — or shouldn't have to be — anything inevitable about Hollywood's dominance at the Oscars.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
The sci-fi film is back in theaters.
"This film had everything for me: experimentation, creativity, visuals, sound, movement, rhythm, tempo, dynamics, pace, energy," says Keukeleire.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
Please don't show this to the Walt Disney Company.
A watershed moment in Canadian animation history.
Customers in the U.K. and Ireland will get premieres of shows like "Trollstopia" and "Madagascar: A Little Wild."
Japan's beloved crime-caper franchise is rebooted in 3d cgi with skill and smarts.
"Tut" is described as "an afro-futuristic, coming-of-age story of the boy king Tutankhamun."