How The Creators Of Hulu’s ‘Animaniacs’ Reboot Subtly Updated The Look Of The Series
"[It's] kind of like the designs you remember them looking like, not so much what they actually look like," says "Animaniacs" co-executive producer Gabe Swarr.
"[It's] kind of like the designs you remember them looking like, not so much what they actually look like," says "Animaniacs" co-executive producer Gabe Swarr.
Barry Jenkins, known for the Oscar-winning "Moonlight," is in the animation director's chair for the first time.
Unsettled studios, inclusivity milestones, a controversial "Ren & Stimpy" reboot, and much more…
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
Christopher Nolan tends to favor practical over visual effects — even when it comes to blowing up a plane.
Don't look at anime. Don't listen to music. Don't have fun.
What gives the city an edge — and what threats does it face?
Gonzalo Azpiri of Hookup Animation explains how he used the new release of Toon Boom Harmony 20 to create a mixed-media animation sequence.
The multi-year overall deal gives Dreamworks an exclusive first-look at his original animated projects.
War, gangsters, a drug-dealing piglet, and the gentle progress of an English couple's marriage. Pixar this ain't.
A look at animators on Instagram.
Happy Fourth of July?
Once again, the animation and vfx branches are disproportionately male.
Sony Pictures Animation is working on several adult animated features.
Stay small. Keep family close. Don't be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
The initiative aims to "inspire local creativity while raising the bar for independent animation worldwide."
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
"Part of our job in entertainment is to help throw focus on that painful reality," writes Toliver. "We need to encourage people to not look away from uncomfortable things, but instead breathe into that discomfort."
The revered cinematographer discusses his little-known work for the likes of Pixar and Dreamworks in a fascinating new podcast series.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.