2018 VFX Oscar Predictions, And The Films That Might Just Steal a Contender Spot
Who's going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Who's going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
Andy Serkis' newest lie: animators aren't part of the production process for the characters he performs.
For the first time, the European Film Academy has expanded the category to include four animation nominees.
A new software, Akeytsu, aims to make rigging and animation easier and faster for cg animators.
Cartoon Brew presents 60+ films that are known to have qualified for the animated shorts category of the 2018 Academy Awards.
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
John Lasseter and Ed Catmull hosted Chinese animation creators in Burbank at the Disney-China Animation Exchange Program.
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
Our first look at Wes Anderson's doggie dystopia "Isle of Dogs."
Headed to U.S. theaters next February…
Nickelodeon wants people to see the new ideas their directors have been developing.
If you want to know what upcoming shows that European tv animation producers are developing, Cartoon Forum was the place to be this week.
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
Discover the art of Phylicia Fuentes, Cartoon Brew's Artist of the Day.
For a filmmaker, working in vr is like chopping off someone's legs and telling them to run, says "Son of Jaguar" director Jorge Gutierrez.
We explain why it's an extremely unpredictable year in the Oscar race for best animated feature.
Body Labs is creating technology that can predict and generate animation from videos and even single photographs.
Why is Hollywood obsessed with making animated films based on intellectual property that doesn't have any stories, characters, or mythologies?