‘Raya And The Last Dragon’ Co-Director Carlos López Estrada Joins Nexus Directing Roster
López is currently developing an animated documentary at Nexus Studios, and is working on the photoreal adaptation of Disney's Robin Hood.
López is currently developing an animated documentary at Nexus Studios, and is working on the photoreal adaptation of Disney's Robin Hood.
Our latest Video Essay features a detailed look at the epic rivalry between Don Bluth and Disney Animation.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
We asked the directors of this year's 15 shortlisted shorts how they developed their narratives.
Warnermedia Kids and Family has come up with a multi-pronged approach to take on Netflix, Disney, Youtube, and Nickelodeon in the highly competitive kids' space.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
The three most-nominated animation series are all Disney productions.
Check out all the nominees for the 18th annual VES Awards, which recognize outstanding vfx artistry.
Netflix is shaking up the animation industry in a big way. Here a look at the studio's upcoming projects.
Michener, a 31-year Disney veteran who was personally hired by Walt Disney, has passed away at age 85.
'Geri's Game' director Jan Pinkava sits down with Cartoon Brew for an in-depth interview on the Pixar short's 20th anniversary.
Nominations for the 44th ASIFA-Hollywood Annie Awards were announced this morning, and Disney’s Zootopia led the way with 11 nominations. …
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
Cut through the clutter with our handy guide to the must-see animation events happening in San Diego this year.
Long before "Tangled" and "Frozen," Disney artists complained about the silly title of another Disney film—"The Great Mouse Detective."
My wrestling match with Ken Anderson now over, I returned once more to Wolfgang "Woolie" Reitherman and Larry Clemmons, working on the story end of "The Fox and the Hound."
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.
"The Noble Approach: Maurice Noble and the Zen of Animation Design" ranks among the most unique and delightful animation books in recent memory.