‘The Amazing Digital Circus’ Creator Gooseworx On Developing The Internet’s Hottest Animated Pilot
The episode has been watched more than 33 million times since coming out two weeks ago.
The episode has been watched more than 33 million times since coming out two weeks ago.
Bristol-based animator Christopher Meyer-White explains why he used Cartoon Animator 5 for his show 'Polly and Parrot.'
According to Nagy, "beginner or a professional, anyone can enjoy using this software regardless of skill level."
Pavel Sannikau is solo-animating the ever-expanding animated website which features your favorite pop culture characters living together on a space station.
Eight unique and personal animated shorts debut on HBO Max today.
The projects, in various stages of development and production, will present at Cartoon Movie in March.
These shorts have impressed at festivals around the world, and three have already scored Student Academy Awards.
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
Producer Tommy Pallotta says dealing with the Academy is like being "caught in a Kafkaesque nightmare where someone is saying something isn’t real and I know it’s real."
DNEG Animation vfx supervisor Archie Donato and animation director Kapil Sharma talk about the inspirations behind the world and characters of 'Entergalactic.'
The Academy Awards have a long history of ignoring the greatest animated films and filmmakers. Here's a survey of some classic snbs.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
Welcome to Series Craft, a new series in which we explore a particular creative facet of a show's production in-depth and discuss the creative choices that lead to the finished result onscreen.
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Some tips to get started: push color, disregard how light really behaves, and don’t let the background upstage the characters.
Sowl's Solomon W. Jagwe explains how he harnesses iClone and Perception Neuron to animate his show.
The Disney+ show is the first animated series in the Marvel Cinematic Universe.
Here's a recap of our key coverage about the Oscar-contending features.
New York studio Thinko believes that its Mr. Puppet Animation System could change animation production.