Tools Of The Trade: Olivier Lescot on Adobe After Effects
The director describes the software's unique advantages, and explains how he harnessed them in his recent commercial for Ariana Grande's R.E.M. fragrance.
The director describes the software's unique advantages, and explains how he harnessed them in his recent commercial for Ariana Grande's R.E.M. fragrance.
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
Ambition, exploitation of labor, environmental pollution, human degradation, surplus value, corruption, and much more in the amazing world of capitalism.
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Quentin Tarantino goes on a wild ride in Roberto Biadi's new short.
Shu, a Toon Boom Ambassador, explains how she used Harmony 20 to create a hand-painted aesthetic.
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
There's much more to a great portfolio than great artwork. Get free feedback via video conference from IDEA Academy.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.
Get the free ebook "Making an Animated Short."
Padrón created Cuba's most enduring cartoon character, directed its first animated feature, and drew some of its most popular comics.
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
Distribution arrangements have been confirmed for the Middle East and North Africa, as well as Japan, which is co-producing the historical epic.
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
As the National Film Board of Canada moves to a new headquarter, its senior animation producers tell us what kinds of filmmakers they're looking for.