How A ‘Warrior Mentality’ Fuels The Spirit Of Pixar Film Editing (Video Interview)
Talking Editing With 'Making The Cut At Pixar' Authors Bill Kinder And Bobbie O'Steen.
Talking Editing With 'Making The Cut At Pixar' Authors Bill Kinder And Bobbie O'Steen.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
The multi-award-winning game was made over 20 weeks as part of SCAD's Interactive Design and Game Development program.
The release of Chip ’N Dale: Rescue Rangers got us thinking about the long history of mixing live action and animation in the days before computers.
The famous New Year's good luck symbol of a little chimney sweeper is turned upside down in Frédéric Schuld's powerful short.
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."
French artist Marie Paccou has added a new invention to the long history of animation production: the umbrellotrope.
The local programmers of "The Tom and Jerry Show" are road-testing a new idea: the "thoughtover."
Watch the winners across four categories: Business, Comic, Education, and Youtuber.
"The animation industry is still a boys' club," says Hannah Lau-Walker, founder of She Drew That.
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
Camila Kater explains how she combined five different mediums in her debut film — and why she compares women to meat.
The director of Netflix's "Klaus" tells Cartoon Brew why he made his groundbreaking 2d feature, despite initially disliking the story.
We spoke to the artists and developers behind "Later Alligator," "Knights and Bikes," and "River City Girls" about their games' stylized visuals.
We take an in-depth look at the animation strategy at each of the major U.S. streaming services.
JonJon made an animated director's commentary to explain how he creates commissioned animation projects on tight deadlines.
These highly individualistic and bold animated features are guaranteed to challenge and inspire filmgoers.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of "breathing paintings" for the hybrid documentary "Liyana."