Blue Pigs And Mutant Mandrills: Designing The Post-Apocalypse In ‘Kipo And The Age Of Wonderbeasts’
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
In the 1960s, he directed a series of infamous Tom & Jerry shorts while living in Eastern Europe.
A veteran industry artist shares their experience and perspective of working in the business.
The studio will focus on pre- and post-production work, and will house the Atomic Originals team.
When it comes to making icy peaks look real, the landscape team took pains to get it right.
Cartoon Brew speaks to directors Luis Usón and Andrés Aguilar about their award-winning hybrid short film.
The winners have been announced for the 2019 “Animation At Work” Contest for films that use Reallusion's Cartoon Animator software.
This year's event found creators tackling the big issues of the day — discrimination, conflict, climate change — but are they going far enough?
Our take on 5 new pitches for European series.
Netflix's rise at the Emmys continues as it secures nominations in all but one animation-related category.
These highly individualistic and bold animated features are guaranteed to challenge and inspire filmgoers.
This major animation event is where deals gets made for European animated features.
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.
Animator David Arandle offers a preview of the powerful and time-saving features in the upcoming release of Cartoon Animator 4.
An extensive conversation with "Spider-Man: Into the Spider-Verse" director Bob Persichetti.
Two animators from Flight School Studio reflect on the challenges of vr animation.
Cartoon Network's new "DIY" miniseries is a quirky and inspiring experiment, both conceptually and production-wise.
We talk to animation producer J.J. Sedelmaier about the technology used to create classic cartoons - and his new museum exhibit about animation equipment.
Behind the scenes of FuseFX's Very Large Man digital human created for the Amazon series "The Tick."