‘Door Guardians’ Teaser Shows Off China’s CGI Capabilities
Chinese animation studio Light Chaser Animation previews its first feature "Door Guardians," set for 2016 release. .
Chinese animation studio Light Chaser Animation previews its first feature "Door Guardians," set for 2016 release. .
The challenges of creating CGI SpongBob for 'SpongeBob Movie: Sponge Out of Water.'
Major layoffs are coming up at DreamWorks Animation; hundreds of people could potentially be let go.
A 40-minute video roundtable with six feature film directors and producers contending for an Oscar this year.
Sony Pictures Animation just debuted on its YouTube channel an exclusive animation test from Genndy Tartakovsky's "Popeye" CG feature.
Mexican animation producer Anima Estudios has announced production on "Top Cat Begins," a sequel to its 2011 hit "Top Cat: The Movie."
The average child or adult animation fan with an untrained eye might look at the animated feature "Foodfight!" and think to themself, "That's not the greatest animated film I've ever seen in my entire life." That's precisely why the average child or adult animation fan with an untrained eye doesn't work in a movie studio.
The BBC created this video profile of Beijing, China-based animation studio Light Chaser Animation, which is one of numerous companies in China that is aiming to create high-end Hollywood-quality CGI.
While we've known for quite a while that the new "SpongeBob" film would have computer-animation in it, the first image from "SpongeBob: Sponge Out of Water" was revealed today.
Comic-Con International: San Diego is almost upon us, and the organizers have released the event's mammoth program schedule. The madness, taking place from July 24-27, includes hundreds of panels, discussions, art demos, and screenings, with everyone from Buzz Aldrin to Betty White getting their moment to shine.
SIGGRAPH has announced the winners of its 41st annual Computer Animation Festival. These projects will be shown amongst more than 100 pieces at the 2014 conference that will take place August 10-14 in Vancouver, Canada.
The all-CG "Smurfs" reboot won't be released until 2016, but you wouldn't know that from the aggressive manner in which Sony Pictures Animation is promoting the film.
Yesterday, we celebrated the momentous decision to replace the practical effect-dinosaurs in "Jurassic Park" with CGI animation. Today, we look at the other side of the issue: the effect that CGI has had on traditional puppet-makers, animatronic artists, and stop motion animators whose work has increasingly been relegated to the sidelines.
Steven Spielberg's "Jurassic Park," along with other early-to-mid-Nineties films like "Terminator 2: Judgment Day" and "Toy Story," were all part of a breakthrough era in CGI filmmaking. What many people may not realize, however, is that the decision to create computer-animated dinosaurs wasn't made until the film was well into production.
Disney veteran Lino DiSalvo, the head of animation on "Frozen" who gained notoriety for comments about animating women, has left Disney to join Paramount Animation as its creative director. He is also slated to direct an upcoming animated feature at the studio.
For the fifth year in a row, we are delighted to present the selections for the Cartoon Brew Student Animation Festival, our online showcase for animated short premieres by student filmmakers. We like to believe that each year is our strongest year, but this year's selections feel particularly vital, illustrating the remarkable breadth of work currently being produced by student filmmakers around the globe.
This a fan-made experiment in which the 1956 Tom & Jerry short "Down Beat Bear" is remade in CGI with anime girls in the roles of Tom, Jerry, and the dancing bear. The characters don't appear to be random and likely represent some part of fandom of which I'm not aware. Even lacking that context, I still think it's a fascinating piece of work, not so much for its animation or technical merit as for its resurrection of (and reverence for) classic theatrical animation in a completely unexpected setting.
Attempting to predict box office results is a fool’s errand, but it’s safe to say at this point that The Lego Movie, which opens this …
Yesterday we looked at "Boonie Bears," a Chinese attempt to emulate Western-style computer animation. But at the risk of overgeneralizing contemporary Chinese animation on the basis of their most derivative and commercial efforts, I wanted to offer another perspective.
I’m not sure what’s harder to believe: that China still hasn’t released its own homegrown 3D CGI animated feature or that the first one …