David OReilly on Tokyo’s Georama, A Different Kind of Animation Festival
Filmmaker David OReilly reports on his experiences at the one-of-a-kind Georama animation festival in Tokyo.
Filmmaker David OReilly reports on his experiences at the one-of-a-kind Georama animation festival in Tokyo.
Dante calls this unproduced film the "heartbreaker" of his filmmaking career.
The film is directed by Shannon Tindle, who also came up with the idea for Laika's "Kubo and the Two Strings."
At one point during tonight's Annie Awards ceremony, after Pixar had won its umpteenth award, SpongeBob voice actor Tom Kenny asked the audience, "When are we going to start calling these awards The Pixies?"
The Walt Disney Company has now won 16 consecutive animation awards at the VES Awards.
If you've ever wanted to see a human man give birth to a cartoon monster, this film might be for you.
One of the most original voices in contemporary stop motion talks about his work with us.
Executive producer Brendan Hay talks about how to play imminent demise for laughs in the new Netflix series 'Dawn of the Croods.'
Audiences in LA and NY have voted with their wallets: they are ready for mature and intelligent feature animation.
Taking place entirely inside an airport terminal, New Chitose Airport International Animation Festival is a particularly refreshing festival that is not to be missed.
In many ways, Beagle's story -- an artist, taken in by a con artist -- is as classic as his writing.
The Eyeworks Festival of Experimental Animation and Animation Breakdown Festival are both happening this weekend.
Seventeen animated shorts were selected for the Sundance Film Festival's short film categories this year.
The "Croods" crew returns to Netflix on December 24.
Adobe's new Animate CC is making strides to be more animator-friendly, but is it too little, too late?
"Inside Out" leads the way with 14 nominations.
Filmmaker Tess Martin visits Anim'est, Romania's biggest annual animation event.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn't much of a stretch for Schulz.
Aardman's low-budget, big-picture animation continues to compete in our blockbuster marketplace, with stop-motion animation more real than hyperreal CGI.
"Boy and the World" is angling to become the first Brazilian (not to mention South American) film nominated for an animated feature Academy Award.