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Watch The Trailer For ‘Violence Voyager,’ The Strangest (Almost)-Animated Feature Of The Year
The film, by Japanese artist Ujicha, is made with a lo-fi cutout technique known as "gekimation." It will be available for streaming on October 21.
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Kelly Asbury On Directing ‘Uglydolls’: “It Was Sort Of A Blank Slate, And That Was Great”
"I like taking on something that’s not going to be that easy," says "Uglydolls" director Kelly Asbury.
Bruce Bickford, Stop Motion Icon And Frank Zappa Collaborator, Dies At 72
A cult icon in the world of American independent animation, Bruce Bickford crafted beautiful and terrifying worlds of stop motion animation.
Passion Pictures Teams Up With Disney For ‘101 Dalmatian Street’
London-based Passion Pictures has added its own unique take on the Disney classic "101 Dalmatians."
Behind-The-Scenes: Tricks And Techniques That ILM Used To Transform Characters In ‘Bumblebee’
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Stephen Hillenburg, Creator Of ‘Spongebob Squarepants,’ Dies At 57
The cause of the death was the neurodegenerative disease ALS.
NetfIix’s New Animation Slate Includes Craig McCracken, Nora Twomey, and Jorge Gutierrez (Analysis)
Netflix is shaking up the animation industry in a big way. Here a look at the studio's upcoming projects.
Sony Pictures Classics Acquires ‘Ruben Brandt, Collector’
The buzzed-about psychological thriller "Ruben Brandt, Collector" is headed for a U.S release in 2019.
‘Peter Rabbit’ Director Will Gluck On Making a Hybrid CG/Live-Action Film — And Why It Was So Tough
A very candid chat about the challenges of making of "Peter Rabbit."
CB Fest Premiere: ‘Hot Dog Hands’ by Matt Reynolds
A woman can't stop growing new fingers.
The New Wave of European Animated Features: Small Budgets, Big Freedom
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
‘My Life As A Zucchini’ Director Claude Barras On The Hard Work of Simplicity and Minimalism
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
‘Return of the Jedi’ and ‘Roger Rabbit’ VFX Supe Ken Ralston Reflects on the State of the Industry
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Making A Nuclear Apocalypse: How The Iconic Sequence In ‘Terminator 2’ Was Created
Early digital effects were mixed in with breakfast cereal and matzo crackers to create one of the iconic sequences in contemporary cinema.
Henry Selick On Why Jan Svankmajer Matters
The director of "Coraline" and "The Nightmare Before Christmas" explains why you should know the name Jan Svankmajer and how to help him make his last feature film.
The Art of Animating Horror: An Interview with Robert Morgan
One of the most original voices in contemporary stop motion talks about his work with us.
Festival Review: New Chitose, The World’s Only Airport Animation Festival
Taking place entirely inside an airport terminal, New Chitose Airport International Animation Festival is a particularly refreshing festival that is not to be missed.
Cordell Barker: My God-like Process On ‘If I Was God’
Cordell Barker, the two-time Oscar-nominated director of "The Cat Came Back" and "Strange Invaders," guides Cartoon Brew readers through the challenges of making a mixed-media animated short.
Comic-Con 2015: Your Complete Guide to Animation Events
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
‘Peace On Earth’ Is 75 Years Old—And More Relevant Than Ever
We rarely see "Peace On Earth" alongside more traditionally revered holiday standards like "A Charlie Brown Christmas" or "How the Grinch Stole Christmas"—but we really should.
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