Saudi Arabia Lifts 35-Year Movie Theater Ban With ‘The Emoji Movie’ And ‘Captain Underpants’
'The Emoji Movie' and 'Captain Underpants' have made history in Saudi Arabia.
'The Emoji Movie' and 'Captain Underpants' have made history in Saudi Arabia.
Already a hit in several South American countries, "Condorito" opens today in the United States.
The biggest entertainment business story of the year: Disney and Fox are merging.
"Coco" is finding friends around the world.
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
When creating Apu, voice actor Hank Azaria said he was instructed by "The Simpsons" writing staff: "Can you do an Indian accent and how offensive can you make it?" Now there's a documentary about how offensive Apu is.
Inspiring reel of Flash animation by Japan-based animator Juanma Laguna.
A new animation festival taking place all weekend in Los Angeles will present the innovative animated features being produced around the world.
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
The well-reviewed "Ballerina" is being released as the poorly-reviewed "Leap!"
Anibar is an animation festival, but it's also much, much more.
Why did the Academy invite a record number of animation artists to join their organization this year?
The Ideatoon program has announced 12 finalists who will pitch their tv animation projects at the Pixelatl Festival in September.
"The animation market is exploding worldwide," says Nigeria's culture minister, and he wants the country to be a part of it.
Bill Joyce, one of the co-founders of Moonbot Studios, is re-establishing the company in its original city, Shreveport, Louisiana.
The well-funded vr animation startup co-founded by Dreamworks director Eric Darnell is creating its first episodic vr animation series.
The new rule changes could make the animated feature category much less friendly to independent and foreign animated films.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
As entertaining and satisfying as "Zootopia" may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously - anthropomorphic and metaphoric.
Paramount is very confident that you won't see "Monster Trucks."