Toronto’s Swaggering Animation Scene Is In A Golden Age, But Faces Challenges Old And New
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
The new studio is creatively led by Brad Lewis, a veteran of Pixar and Dreamworks.
As the school launches new diversity initiatives, alumni share their experiences tackling social and political issues in their work.
The management shakeup comes as Nickelodeon’s animation studio continues to grow in the pandemic.
The feature adapts several short stories by the bestselling Japanese author.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Users can now automatically generate head and eyebrow movement from recorded audio.
The company's reboot strategy will be led by Fox and Marvel veteran Grant Gish.
What gives the city an edge — and what threats does it face?
Harvey Newman tells animators looking to enter the video game industry what to do — and what to avoid doing.
The trailer's director Paco Zamudio talks to us about the state of Mexican and Latin American animation.
Bron Digital will emphasize virtual production workflows.
Sony Pictures Animation is working on several adult animated features.
Wan spotlights sublime cuts in shows ranging from "Naruto" to "Devilman Crybaby."
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Staff at the vfx titan are facing significant pay cuts. But some are now being offered "salary support," with the help of production partner Locksmith Animation.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.
The company sees a big opportunity in the current crisis.