Hank Azaria Apologizes For Voicing Apu On ‘The Simpsons’ And Perpetuating ‘Structural Racism’
“Part of me feels I need to go round to every single Indian person in this country and personally apologize,” said the actor.
“Part of me feels I need to go round to every single Indian person in this country and personally apologize,” said the actor.
In a new book, Sam Summers sets out to dissect how the Dreamworks formula, with its pop tunes, celebrity actors, wink-wink gags, differs from Disney's.
In Denmark, the white actor who voices Joe has defended his casting. In Portugal, a popular petition is calling for the film to be re-dubbed.
It doesn't matter if a black character is voiced by a black actor, Jackson argues, but studios need to endow more black talent.
Animated series are addressing the use of white actors for nonwhite roles.
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
The actor performs 12 new characters in ten minutes — while narrating his creative process.
Matt Williames talks us through the special appeal and unprecedented challenges of working on Sergio Pablos's "Klaus."
"Funan" opens today in Los Angeles.
Tribeca attendees had a massive range of styles, narratives (both linear and non-linear), gameplay, and immersion to choose from this year.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
Netflix is shaking up the animation industry in a big way. Here a look at the studio's upcoming projects.
Who's in and who's out – here's a look at the field of contenders for the visual effects Academy Award.
"Isle of Dogs" animation director Mark Waring breaks down the animation process on Wes Anderson's new stop-motion tale.
A very candid chat about the challenges of making of "Peter Rabbit."
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
Disney is exploring a new way to automate speech animation with computers.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Famous cartoon voice actors are having fun with America's incoming president, Donald Trump.