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‘Return of the Jedi’ and ‘Roger Rabbit’ VFX Supe Ken Ralston Reflects on the State of the Industry
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
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Disney CEO Bob Iger Will NOT Meet Donald Trump Tomorrow
A "previously scheduled board meeting" will prevent Iger from traveling to Washington D.C. tomorrow.
Q&A: Director Chris Wedge on the Road to ‘Monster Trucks’
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
‘A Monster Calls’ Used Every Kind of Animation To Tell Its Story
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in "A Monster Calls," opening wide in the U.S. today.
Indian Filmmaker Ishan Shukla Shares His Path to Making the Short ‘Schirkoa’
Independent cg animation is rare in India. Filmmaker Ishan Shukla is trying to change that.
Tyrus Wong, ‘Bambi’ Production Designer, Dies at 106
RIP Tyrus Wong.
Blue Zoo’s Latest Christmas Short is Here
Santa's had enough!
The Internet Is Disgusted By This Roundtable with Feature Animation Directors
Only in Hollywood animation: seven white dudes discuss representation, feminism, and cultural sensitivity.
Tips & Tricks for Creating Fantastic Beasts From the Artists of ‘Fantastic Beasts and Where to Find Them’
Behind the scenes of the film's biggest beasts.
The Oral History of ‘Space Jam’: Part 3 – Reflections on A Beloved Film
In the final part of Cartoon Brew’s oral history of "Space Jam," the crew reflects on long hours and the legacy of the film.
The Oral History of ‘Space Jam’: Part 2 – The Perils of New Tech
In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
An Oral History of Morphing in Michael Jackson’s ‘Black or White’
We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.
‘Trolls’ Director Mike Mitchell: There Was No Mythology to These Things…I’ve Never Felt So Free
'Trolls' director Mike Mitchell and co-director Walt Dohrn talk to Cartoon Brew about creative freedom, how Genndy Tartakovsky and Phil Lord helped out, and making cg look more handmade.
Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
‘Sausage Party’ Directors Conrad Vernon & Greg Tiernan On Making 2016’s Most Outlandish Animated Film
The directors of "Sausage Party" talk about the challenges of selling an R-rated animated feature in Hollywood, producing a film on a fraction of the budget of other studios, and knowing when you've gone too far in an R-rated cartoon.
Director Chris Renaud On ‘The Secret Life of Pets’
Chris Renaud talks about comic influences on "The Secret Life of Pets," Illumination's unconventional workflow, and the studio's fluid production process that allows humor to be added in during every stage of production.
Making A Nuclear Apocalypse: How The Iconic Sequence In ‘Terminator 2’ Was Created
Early digital effects were mixed in with breakfast cereal and matzo crackers to create one of the iconic sequences in contemporary cinema.
Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
An Oral History of ILM’s ‘Dragonheart’ On Its 20th Anniversary
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
‘Symphony of Two Minds’ by Valere Amirault (Exclusive Premiere)
Cartoon Brew presents the Internet world premiere of "Symphony of Two Minds," a CG short unlike any you've seen before.
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