‘Coco,’ ‘War for the Planet of the Apes,’ ‘Game of Thrones’ Dominate VES Awards
Check out the complete list of winners from tonight's VES Awards.
Check out the complete list of winners from tonight's VES Awards.
We take a look at some promising upcoming Latin American animation projects.
Already a hit in several South American countries, "Condorito" opens today in the United States.
The biggest challenge for "Coco" director Lee Unkrich this award season: pretending that his film's executive producer, John Lasseter, doesn't exist.
The director of 'Ferdinand' sits down for a chat about Blue Sky Studios' latest film, and talks about how they combined classic and contemporary influences to bring the story to the screen.
Cartoon Brew reports from the first-ever European Animation Awards.
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
Filmmaker and others who participated in the first-ever Animation is Film festival in L.A. speak about their experience with Cartoon Brew.
For a filmmaker, working in vr is like chopping off someone's legs and telling them to run, says "Son of Jaguar" director Jorge Gutierrez.
Disney put "Coco" director Lee Unkrich in a tough spot, and he's expressing his frustration on Twitter.
Anibar is an animation festival, but it's also much, much more.
"In This Corner of the World," winner of the Japan Academy Prize, has arrived in U.S. theaters.
Old man yells at computer graphics, vfx supervisor corrects him.
A haunting animated gem, created entirely by one person, starts its U.S. theatrical run today.
"The Good Dinosaur" is as depressing as the movie about "the guy who got raped by a bear," says Trey Parker.
Cartoon Saloon returns to theaters this fall with a very different type of animated feature: "The Breadwinner." We go in-depth on the new production with director Nora Twomey.
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Academy members' flippant attitude and outright disdain for animation has led to a crisis of confidence in the organization's abilities to judge animation.