‘Superman’ VFX: Framestore Delivers 590 Shots Including A Keyframed Fortress And A Super-Powered Pup
Framestore’s VFX team brought Krypto the Superdog and Superman’s Fortress of Solitude to life, contributing over 590 shots.
Framestore’s VFX team brought Krypto the Superdog and Superman’s Fortress of Solitude to life, contributing over 590 shots.
Cinesite takes on its first full animation and VFX feature with 'Smurfs,' now streaming on Paramount+, blending Peyo’s style with hybrid magic.
Aardman and TikTok launch a contest for Shaun the Sheep fans, with one winner set to be immortalized in clay as a character in 'The Beast of Mossy Bottom.'
The indie pilot 'Plinko and Mark' blends contemporary humor with nostalgic '90s cartoon vibes, earning nearly 300k views since its July 31 debut.
'Spider Rose' director Jennifer Yuh Nelson on returning to favorite stories, designing an 'ugly cute' creature, and why U.S. sci-fi sticks to short form.
Genndy Tartakovsky discusses the long road to his R-rated 2D comedy, from high school inspirations to a roaring Annecy premiere and upcoming Netflix debut.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
The unauthorized documentary provides new insights into the 30-year history of one of America's most famous animation studios.
A deep dive into three new indie Canadian features screening at Annecy.
Third Floor co-founder Josh Wassung explains how they built an animation studio around "Predator: Killer of Killers."
The Montreal-based animation studio, known for projects like 'The Day The Earth Blew Up: A Looney Tunes Movie' and 'The Bob's Burgers Movie,' is dipping its toes into AI-assisted production.
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
The new Disney+ documentary about the making of 'A Goofy Movie' is augmented with unique animated sequences that bring the story to life.
Music has always been a key element of the Looney Tunes shorts, and it is also an important part of the new Looney Tunes feature 'The Day the Earth Blew Up.'
The cut-out animated shorts, initially created for his young daughter, have now been compiled into a feature-length film.
We're taking a closer look at underappreciated stop-motion features from the last 100 years.
The groundbreaking adult animated series premieres this Sunday.