The Directors Of ‘Robin Robin’ Explain How They Broke With Aardman’s House Style
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
"As I see it, the problem is that Netflix, a company with vast resources, has started commissioning at low rates," says Ichii.
Work smarter and faster in Maya - discover the essential toolset used by animators at feature film and AAA-game studios.
Independent animator Cas van de Pol tells us how he organically grew his following into a hit Youtube channel.
Watching the series "was the first time that it really became clear to me what a director does," says Chung.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
Branded as formulaic, "Raya and the Last Dragon" is still being praised for its world-building, performances, and emotional depths. Here's what some critics had to say.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
The film is out now in select theaters and on HBO Max in the United States.
For the first article in our new series, Gutierrez tells us about the original ending to his 2014 feature — and why he had to change it.
The Canadian director has followed his 2019 film "Ville Neuve" with an equally multi-layered, mesmerizing work.
The delayed feature is skipping a theatrical roll-out in favor of Netflix.
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
"[It's] kind of like the designs you remember them looking like, not so much what they actually look like," says "Animaniacs" co-executive producer Gabe Swarr.
Vincent Alexander run us through the finest self-referential moments in animation, from Koko the Clown to "The Simpsons."
Quentin Tarantino goes on a wild ride in Roberto Biadi's new short.