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‘Pilots On The Way Home’ Selected As Top Animated Short of 2014
Hundreds of other animated shorts were released last year; which ones were the best?
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‘Mouse in Transition’: The Arrival of Jeffrey Katzenberg (Chapter 15)
Michael Eisner lounged his six-foot-four frame in a conference room chair. He was wearing jeans and sweatshirt, but why not? It was a Saturday morning.
‘Penguins’ Weak in U.S., Animated Films Big in France, U.K. and Spain
The DreamWorks brand continues its free-fall in the United States: "Penguins of Madagascar" opened below all expectations in the U.S.
‘Mouse in Transition’: ‘Basil’ Kicks Into High Gear (Chapter 13)
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, "Basil of Baker Street" was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
‘Mouse in Transition’: Rodent Detectives and Studio Strikes (Chapter 11)
"Basil of Baker Street" by novelist Eve Titus was an illustrated children's book centered on a mouse who fancied himself an ace detective. The mouse resided (naturally enough) inside the walls of 31 Baker Street in London, home of a human-sized ace detective, the name of whom escapes me.
CBTV Student Fest: ‘My Big Brother’ by Jason Rayner
What if your older brother was a giant? My Big Brother explores the reflections of a boy sharing a room with his twenty-foot tall brother.
Book Review: ‘Gustave Doré: Master of Imagination’
Although I haven’t seen the exhibit “Gustave Doré (1832-1883): Master of Imagination,” currently at the National Gallery of Canada, I can say that the catalog is beautiful, informative, and opened up Doré’s career in ways I had not anticipated.
How Laika Pushed 3D Printing to New Heights with ‘The Boxtrolls’
Laika is revolutionizing stop motion animation with 3D printing. We visited the set of their latest film, 'The Boxtrolls,' to find out how they do it.
‘Mouse in Transition’: The CalArts Brigade Arrives (Chapter 9)
"Chief has to DIE,” Ron Clements said. “The picture doesn't work if he just breaks his LEG. Copper doesn't have enough motivation to hate the fox."
‘Mouse in Transition’: When Everyone Left Disney (Chapter 7)
Don Bluth smiled at me. "I wouldn't worry about being laid off from Disney's, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED."
Delivering Quality On A Tight Schedule: Speaking With ‘Ping Pong’ Art Director Aymeric Kevin
How did Aymeric Kevin and his team manage to produce so many quality backgrounds on such a short schedule? Aymeric speaks to Cartoon Brew about the background art of "Ping Pong."
‘Ping Pong’ Recap: ‘Blood Tastes Like Iron’ (Ep. 11)
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
‘Mouse in Transition’: Detour Into Disney History (Chapter 6)
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
‘Mouse in Transition’: And Then There Was…Ken! (Chapter 4)
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Official Selections For Our 5th Student Animation Festival
For the fifth year in a row, we are delighted to present the selections for the Cartoon Brew Student Animation Festival, our online showcase for animated short premieres by student filmmakers. We like to believe that each year is our strongest year, but this year's selections feel particularly vital, illustrating the remarkable breadth of work currently being produced by student filmmakers around the globe.
‘Mouse in Transition’: ‘Disney’s Newest Hire’ (Chapter 1)
The first chapter of Steve Hulett's memoir about working as a writer at Disney in the late-Seventies and Eighties.
Q&A: ‘Oh Willy…’ Directors Marc James Roels and Emma De Swaef On Being Indie Filmmakers
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
What It Was Like Working At A 1980s Taiwanese Animation Factory
Animation artist Jamie Baker ("UP," "WALL·E," "Finding Nemo") has written a hilarious and detailed account of what it was like to work as an artist in Taiwan in the mid-1980s. Spoiler—it was weird:
A Filmmaker Tests Out The NFB’s $1 Animation App, StopMo Studio
The NFB StopMo Studio app for the iPad provides essentially everything you need to jump into creating an animated film. You won't have any issues getting comfortable with the user interface if you've worked with animation programs before, and it seems more than approachable for newcomers young and old. Once you open up the program, you're welcomed with a short and succinct tutorial that covers the basic tools, and then opens up to allow you to explore the rest of the options available.
‘Ping Pong’ Recap: ‘The Wind Makes It Too Hard to Hear’
A recap of the first episode of Masaaki Yuasa's new series "Ping Pong."
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