Special Effects Master Phil Tippett Among Speakers At 11th Festival Stop Motion Montreal
The 2019 edition will focus on the theme of "stop motion in the digital age."
The 2019 edition will focus on the theme of "stop motion in the digital age."
We take an in-depth look at the animation strategy at each of the major U.S. streaming services.
"Funan" opens today in Los Angeles.
Universal is shifting around release dates for films from its Illumination and Dreamworks studios.
Laika's latest opened in 9th place, recording one of the most disastrous wide launches ever for an animated feature.
The Stuttgart vfx and animation conference is not far away - here’s our guide to making the most of the event.
Here are the nominees in the Academy's three animation-related categories.
PAY ATTENTION TO THESE FILMS!
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
An animation program in Florida is retaining permanent rights to students’ ideas, setting up the school to earn potentially huge paydays.
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
It's a new day at Disney and Pixar animation studios!
Read our quick primer on the latest "Star Wars" film: "Solo."
Keep an eye on Guadalajara, a growing center for the creative arts in Mexico.
A look at the steps involved in "Ready Player One"’s virtual production paradigm.
We talk to animation producer J.J. Sedelmaier about the technology used to create classic cartoons - and his new museum exhibit about animation equipment.
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
"Okja" helmer Bong Joon-ho offers a director's perspective on creating a lead character that is entirely computer generated.
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro's 'The Shape of Water' possible.