Digital Humans In Real-time Are The Star In Neill Blomkamp’s Latest Short
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
Real-time tools are giving animation and vfx creators more flexibility in generating cg worlds and characters.
We're launching this new resource to help readers keep track of American animated features in development.
The legendary animation director speaks about his last feature, "Cool World," which turns 25 years old this month.
How the vfx crew used on-set puppeteering and cg to bring the star of 'Okja' to life.
"The Good Dinosaur" is as depressing as the movie about "the guy who got raped by a bear," says Trey Parker.
An Annecy veteran gives some helpful advice for how to navigate the biggest international animation film festival and market.
Open Road Films launches "Spark: A Space Tail" in theaters today, but will anybody see it?
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
As entertaining and satisfying as "Zootopia" may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously - anthropomorphic and metaphoric.
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
It's a lot of fun to see a superhero film that embraces its cartooniness and uses vfx to do silly, unbelievable things.
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
Independent cg animation is rare in India. Filmmaker Ishan Shukla is trying to change that.
A 'hacked' bowling ball helped Laika's animators create a crucial underwater scene for the film.
We explore the new film from "Dam Keeper" directors Robert Kondo and Dice Tsutsumi,
Fresh off "The Jungle Book," Jon Favreau has discovered a new passion: vr filmmaking.
We go behind-the-scenes to learn how Laika animated one of the biggest stop motion puppets ever constructed.
The directors of "Sausage Party" talk about the challenges of selling an R-rated animated feature in Hollywood, producing a film on a fraction of the budget of other studios, and knowing when you've gone too far in an R-rated cartoon.
How does one of the most famous animators in the world get booted from his country’s only animation school?