Bugs Bunny to Return in Direct-to-Video ‘Rabbits Run’
The classic Looney Tunes star is now a New York City cab driver.
The classic Looney Tunes star is now a New York City cab driver.
The 'Frozen' teaser trailer is in legal hot water.
The 20th anniversary edition of the conference will present some major industry players.
C.H. Greenblatt, creator of the animated series "Chowder," is back with a new series, "Harvey Beaks," that premieres this Sunday on Nickelodeon.
Whether or not the "Angry Birds" feature will be creatively risky, it's definitely a financial risk.
The Pixar veteran will take to the stage in Toronto to talk about his career, including his latest film "Inside Out."
The first sign that you might get laid off at Disney: the bosses won't give you a new computer.
"Everything about my life is utterly horrible," says an American animator working in Japan, and that's how he likes it.
Steve Hulett recounts his experiences working on "Oliver & Company" and the unexpected tragedy that happened during its production.
What do long-lost sweatbox notes reveal about the creation of one of Disney's finest films?
Analyzing the performance and acting in the Academy Award-nominated film "Big Hero 6."
America went crazy for SpongeBob this weekend, leading his second feature film to a massive $56 opening weekend.
Disney's hugely popular Princess brand is about to get even more lucrative with the introduction of its first Hispanic princess.
Steve Hulett remembers the time when Disney artists were told they were being moved to a warehouse off the lot, and the animation division's first "gong show" pitch session.
Walt Peregoy, the influential animation artist who was the color stylist of Disney's "One Hundred and One Dalmatians" and headed up Hanna-Barbera's background department for a time during the late-Sixties, has passed away at the age 89.
We present complete coverage of the animation-related Oscar nominees for the 87th annual Academy Awards.
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
"I do think that animation can have a language of its own, rather than simply mimicking live action."
Michael Eisner lounged his six-foot-four frame in a conference room chair. He was wearing jeans and sweatshirt, but why not? It was a Saturday morning.
"Pim and Pom: The Big Adventure" was not only made on a tiny budget, but had the added challenge of translating the visual style of one of the most beloved Dutch children's book illustrators.